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Rieder, Citlaly

She received a master’s degree in education from the Development Research Center of the State of Michoacán and took a course on film and scientific video at the UNAM Filmoteca, Mexico, among others. She worked as media coordinator in the project Islands of Mexico for the Metropolitan Autonomous University (UAM); as technical coordinator for the project Geographic Atlas of the State of Michoacán for the Autonomous University of Chapingo, on behalf of the State Education Secretariat (SEE), Michoacán; and as general director of Producciones Bawmer, Mexico. She has researched film as an important learning strategy for children and adolescents, from preschool to high school. She participated as a director in the 2nd Morelia International Film Festival (FICM) with her feature length documentary Múgica (2004), in co-direction with Javier Morett. She produced the short fiction film Morelia en los orígenes del cine (2006), by Javier Morett, which won a Special Mention at the 4th FICM.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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