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Retes, Gabriela

She took courses in architecture at the National Autonomous University of Mexico (UNAM) and received her degree in education from the Public Education Secretariat (SEP), Mexico. She has worked in film projects from an early age, as editor, producer, actress and director. She co-wrote the screenplays for her father Gabriel Retes’ feature films, El bulto (1992), in which she was also an actress, and Bienvenido-Welcome (1994), both winners of numerous awards around the world. The first film received the Best Picture Award at the 18th Iberoamerican Film Festival of Huelva, Spain, and the 4th Puerto Rico Cinemafest, among others. As a screenwriter, she was nominated for an Ariel Award for Best Screenplay for Bienvenido-Welcome; which she won the Silver Goddess Award for Best Screenplay at the 23rd Silver Goddess Awards, Mexico. This film also received the Second Coral Award at the 16th International Festival of New Latin American Film, Havana, Cuba, and the Grand Prize at the 14th Amiens International Film Festival, France. She participated as director in the 6th Morelia International Film Festival (FICM) with La luz de la oscuridad (2007), which won a Special Mention for Short Fiction Film.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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