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Puig Domene, Iván

He is a technician in Electronics by the Escuela Tecnológica de Occidente and he graduated from a B.A. in Plastic Arts at the University of Guanajuato, where he was an exchange student at the Laval University, in Canada, and at the Universidad Politécnica de Valencia (UPV), in Spain. He has received scholarships from the Cisneros Fontanals Art Foundation in the United States; from the Young Creators scholarship granted by the Mexican National Fund for Culture and Arts (FONCA); from the BBVA Bancomer Foundation; from the support program for the production and research of art and media at the Mulitmedia Center at CENART; from the Co-investment program at FONCA; from the FECA Guanajuato; and from the Mexican Film Institute (IMCINE). In 1998, his short animated film Incestarum won the Opera Prima Award and a nomination for Best Animation at the Guanuajuto International Film Festival (GIFF). In 2015 his short film Cåsucka, part of the Official Selection of the 14th Morelia International Film Festival (FICM), co-directed with Dalia Huerta, won the post-production award “Región Occidente”, granted by IMCINE. His work has been shown in national venues such as the Alameda Art Lab, the MUNAL National Art Museum and the Carrillo Gil Art Museum. Internationally, he has participated in the Electronic Art Video Festival, in Brazil; Le Lieu, in Quebec; Arts Catalyst, in London; W139, in Amsterdam; and the Apexart galley, in New York, among others. Together with Marcela Armas and Gilberto Esparza, he is part of the collective TRiodO.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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