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Ospina Huipe; Fabiola

She studied visual arts with a specialty in engraving-printing at the Facultad Popular de Bellas Artes of the Michoacán University of Saint Nicolás of Hidalgo (UMICH), Morelia. She participated in the Engraving Workshop at the Centro Cultural Antiguo Colegio Jesuita in Pátzcuaro, Michoacán, México, and in the lecture program “Approaches to Film Studies” with the support of the Universidad Michoacana de San Nicolás de Hidalgo (UMSNH) and Filmoteca Michocana. She participated in the collective short film Ísïch´e Irekaska (2013) of the Imágenes Vivas Workshop, which was part of the Official Selection of the 12th Morelia International Film Festival (FICM). This work was also shown at the 2nd “El Cine en la Cumbre” International Festival, organized by the Communications and Dissemination Department of the Center of Indigenous Arts (CAI) in the context of the 15th Cumbre Tajín Festival, Mexico; in the 8th Independent Hispanic American Film and Video Festival, “All Voices Against the Silence,” in Mexico City; and in the DocuLab.4 at the 27th Guadalajara International Film Festival (FICG), among others festivals. She participated in the collective short film Japontarhu Ueratini (2015) of Colectivo Imágenes Vivas, which was presented at the 11th Indigenous Film Festival, Mexico; at the 3rd International Exhibition of Michoacán Film, México; and is part of the Official Selection of the 13th FICM.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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