Image Molina, Alejandro He studied advertising and communication at the Center for Communication Studies (CECC) in Mexico City; a course on film at the Center for Audiovisual Studies (CEA), Spain; Short Film Screenwriting Workshop at the National Fine Arts Institute (INBA, in Spanish); and a course on film appreciation at the Iberoamerican University (UIA, in Spanish), Mexico City. He was partner and producer at the film production company Mantarraya Producciones, from 1997 to 2000, and founding partner at the Arte 7 Film and Production School in Mexico City, from 2001 to 2012. He has produced several films that have participated and won awards at the Morelia International Film Festival (FICM), including, Los niños de Morelia (2004), by Juan Pablo Villaseñor, which won the Audience Award for Best Documentary at the 2nd FICM, and Los ladrones viejos. Las leyendas del artegio (2007), by Everardo González, selected at the 5th FICM. At the 8th FICM he participated with his short fiction film De día y de noche (2010), which won the award for Best Screenplay at the 6th Montevideo Fantastic Film Festival, Uruguay, and a nomination for Best Visual Effects at the 53rd Ariel Awards, Mexico. Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Molina, Alejandro He studied advertising and communication at the Center for Communication Studies (CECC) in Mexico City; a course on film at the Center for Audiovisual Studies (CEA), Spain; Short Film Screenwriting Workshop at the National Fine Arts Institute (INBA, in Spanish); and a course on film appreciation at the Iberoamerican University (UIA, in Spanish), Mexico City. He was partner and producer at the film production company Mantarraya Producciones, from 1997 to 2000, and founding partner at the Arte 7 Film and Production School in Mexico City, from 2001 to 2012. He has produced several films that have participated and won awards at the Morelia International Film Festival (FICM), including, Los niños de Morelia (2004), by Juan Pablo Villaseñor, which won the Audience Award for Best Documentary at the 2nd FICM, and Los ladrones viejos. Las leyendas del artegio (2007), by Everardo González, selected at the 5th FICM. At the 8th FICM he participated with his short fiction film De día y de noche (2010), which won the award for Best Screenplay at the 6th Montevideo Fantastic Film Festival, Uruguay, and a nomination for Best Visual Effects at the 53rd Ariel Awards, Mexico.
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
