Image Molina, Alejandro He studied advertising and communication at the Center for Communication Studies (CECC) in Mexico City; a course on film at the Center for Audiovisual Studies (CEA), Spain; Short Film Screenwriting Workshop at the National Fine Arts Institute (INBA, in Spanish); and a course on film appreciation at the Iberoamerican University (UIA, in Spanish), Mexico City. He was partner and producer at the film production company Mantarraya Producciones, from 1997 to 2000, and founding partner at the Arte 7 Film and Production School in Mexico City, from 2001 to 2012. He has produced several films that have participated and won awards at the Morelia International Film Festival (FICM), including, Los niños de Morelia (2004), by Juan Pablo Villaseñor, which won the Audience Award for Best Documentary at the 2nd FICM, and Los ladrones viejos. Las leyendas del artegio (2007), by Everardo González, selected at the 5th FICM. At the 8th FICM he participated with his short fiction film De día y de noche (2010), which won the award for Best Screenplay at the 6th Montevideo Fantastic Film Festival, Uruguay, and a nomination for Best Visual Effects at the 53rd Ariel Awards, Mexico. Other Movies Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Ziuta travesías Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life. See More Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More Related News Hernán Cortés: two atypical visions 04 · 10 · 25 MIL CAMINOS TIENE LA MUERTE: Arsenio Campos (1946-2025) 04 · 03 · 25 EL CAMINO DE LA VIDA: THE YOUNG AND THE DAMNED by Matilde Landeta 03 · 27 · 25 Juan Rulfo and the silver screen 03 · 20 · 25 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Molina, Alejandro He studied advertising and communication at the Center for Communication Studies (CECC) in Mexico City; a course on film at the Center for Audiovisual Studies (CEA), Spain; Short Film Screenwriting Workshop at the National Fine Arts Institute (INBA, in Spanish); and a course on film appreciation at the Iberoamerican University (UIA, in Spanish), Mexico City. He was partner and producer at the film production company Mantarraya Producciones, from 1997 to 2000, and founding partner at the Arte 7 Film and Production School in Mexico City, from 2001 to 2012. He has produced several films that have participated and won awards at the Morelia International Film Festival (FICM), including, Los niños de Morelia (2004), by Juan Pablo Villaseñor, which won the Audience Award for Best Documentary at the 2nd FICM, and Los ladrones viejos. Las leyendas del artegio (2007), by Everardo González, selected at the 5th FICM. At the 8th FICM he participated with his short fiction film De día y de noche (2010), which won the award for Best Screenplay at the 6th Montevideo Fantastic Film Festival, Uruguay, and a nomination for Best Visual Effects at the 53rd Ariel Awards, Mexico.
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
Ziuta travesías Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life. See More
Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More
Hernán Cortés: two atypical visions 04 · 10 · 25 MIL CAMINOS TIENE LA MUERTE: Arsenio Campos (1946-2025) 04 · 03 · 25 EL CAMINO DE LA VIDA: THE YOUNG AND THE DAMNED by Matilde Landeta 03 · 27 · 25 Juan Rulfo and the silver screen 03 · 20 · 25
