Image Molina, Alejandro He studied advertising and communication at the Center for Communication Studies (CECC) in Mexico City; a course on film at the Center for Audiovisual Studies (CEA), Spain; Short Film Screenwriting Workshop at the National Fine Arts Institute (INBA, in Spanish); and a course on film appreciation at the Iberoamerican University (UIA, in Spanish), Mexico City. He was partner and producer at the film production company Mantarraya Producciones, from 1997 to 2000, and founding partner at the Arte 7 Film and Production School in Mexico City, from 2001 to 2012. He has produced several films that have participated and won awards at the Morelia International Film Festival (FICM), including, Los niños de Morelia (2004), by Juan Pablo Villaseñor, which won the Audience Award for Best Documentary at the 2nd FICM, and Los ladrones viejos. Las leyendas del artegio (2007), by Everardo González, selected at the 5th FICM. At the 8th FICM he participated with his short fiction film De día y de noche (2010), which won the award for Best Screenplay at the 6th Montevideo Fantastic Film Festival, Uruguay, and a nomination for Best Visual Effects at the 53rd Ariel Awards, Mexico. Other Movies If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More 40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More Related News “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Molina, Alejandro He studied advertising and communication at the Center for Communication Studies (CECC) in Mexico City; a course on film at the Center for Audiovisual Studies (CEA), Spain; Short Film Screenwriting Workshop at the National Fine Arts Institute (INBA, in Spanish); and a course on film appreciation at the Iberoamerican University (UIA, in Spanish), Mexico City. He was partner and producer at the film production company Mantarraya Producciones, from 1997 to 2000, and founding partner at the Arte 7 Film and Production School in Mexico City, from 2001 to 2012. He has produced several films that have participated and won awards at the Morelia International Film Festival (FICM), including, Los niños de Morelia (2004), by Juan Pablo Villaseñor, which won the Audience Award for Best Documentary at the 2nd FICM, and Los ladrones viejos. Las leyendas del artegio (2007), by Everardo González, selected at the 5th FICM. At the 8th FICM he participated with his short fiction film De día y de noche (2010), which won the award for Best Screenplay at the 6th Montevideo Fantastic Film Festival, Uruguay, and a nomination for Best Visual Effects at the 53rd Ariel Awards, Mexico.
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
