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Martínez, Gabriela

She studied graphic design at the University of Monterrey (UDEM, in Spanish), Mexico. She participated in the 10th Morelia International Film Festival (FICM) with her animated short film Defectuosos (2012), which was presented at more than 50 film showings and festivals around the world, including the Short Film Corner at the 65th Cannes Film Festival; the 35th Clermont-Ferrand International Short Film Festival, France; the 27th Guadalajara International Film Festival (FICG, in Spanish); the 16th Guanajuato International Film Festival (GIFF), Mexico; the 35th Cartagena International Film Festival, Colombia; and the 13th aluCine Latin Film + Media Arts Festival, Toronto, Canada. The film received a Children’s Audience Mention at the 27th Mar del Plata International Film Festival in Argentina; the Cibervoto from the Portal del Cine y el Audiovisual Latinoamericano y Caribeño at the 34th International Festival of New Latin American Film, Havana, Cuba; the Best Animated Short Film at the 20th San Diego Latino Film Festival (SDLFF); and the MCO Studios special award at the 4th CutOut Fest International Animation and Digital Art  Festival, Querétaro, Mexico, among others.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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