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Magaña, Jaime

He studied linguistics and Maya Culture at the Universidad de Oriente (UNO), Valladolid, Yucatan, and visual arts with the independent Mexican collective Yoochel Kaaj and the project Ambulante Más Allás (AMA) of the Ambulante Documentary Tour, Mexico. A native speaker of Yucatecan Maya, he is a teacher of basic education, promoter of community museums, video filmmaker and musician. He is a founding member of the collectives TV Turix, since 2002, and Tzay Kin, since 2013, as well as the musical group Saatal Paax. He is currently developing radio programs and art with sound in Yucatecan Maya for Internet radio with the collective Tzay Kin. He has participated in two editions of the Morelia International Film Festival (FICM). In the 1st FICM, he competed with the documentary short film Los remedios (2003). His collective work, Negro del pozo (2004), participated in the 13th Native American Film and Video Festival (NAFVF) of the National Museum of the American Indian (NMAI), New York, of the Smithsonian Institution. He participated with his short fiction film Guardianes del Mayab (2012) in the First Nations Forum of the 10th FICM; in the 6th International Film Festival on Human Rights in Mexico (DHFEST); and in the 4th OC Film Fiesta, California, United States, among others.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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