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Macías, Norma

She studied communication at the Intercontinental University (UIC, in Spanish) in Mexico City and received a master´s degree in the study of art from the Iberoamericana University (UIA, in Spanish). She received her Ph.D in sciences and humanities from the Autonomous University of Coahuila (UAdeC, in Spanish). She was the producer and screenwriter for the short film Todos te queremos (2008) by Miguel Chehaibar, which won 3rd place in the 2nd International Short Film Competition Raise your Voice Against Domestic Violence at the 11th Guanajuato International Film Festival (GIFF). She wrote and co-directed, together with Chehaibar, the short animated film El hambre de Caribdis (2008), which participated in the 7th Morelia International Film Festival (FICM), among other festivals, and received an award for Best Animated Short Film at the 3rd Short Shorts Film Festival Mexico (SSFFM) and Best Short Film at the 3rd Festival Internacional de Cortos Proyección Corta, Mexico City.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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