Image Linares Martínez; Jorge Luis He studied Cinematography, with a specialty in Photography, at the Centro de Capacitación Cinematográfica (CCC), as well as two semesters at the Television and Film University (Hochschule für Fernsehen und Film) in Munich, Germany. His short film Por los caminos del sur/Down Southern Roads (2015), part of the 13th Morelia International Film Festival’s (FICM) Official Selection, won the José Rovirosa Award for Best Student Documentary and was nominated in the category of Best Documentary Short Film for the 58th Ariel Awards. Por los caminos del sur has also traveled in competitions like the Festival dei Popoli in Italy, the Göttingen International Ethnographic Film Festival in Germany, and the Pärnu Film Festival in Estonia. As director of photography, his work Negro (2014) by Daniel Castro won the Pantalla de Cristal Award for Best Photography, and Nunca regreses/ Never Come Back (2014) by Leonardo Díaz, won the award for Best Work from the Michoacan Section at the 12th FICM. Nunca regreses was also part of a special screening of FICM at the 54th Critic’s Week, a paralel section of the Cannes Film Festival, and it won the award for Best Iberoamerican Short Film at the 19th edition of the Guadalajara International Film Festival (FICG). He is currently in post-production of Zapatos, his B.A. thesis. Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Linares Martínez; Jorge Luis He studied Cinematography, with a specialty in Photography, at the Centro de Capacitación Cinematográfica (CCC), as well as two semesters at the Television and Film University (Hochschule für Fernsehen und Film) in Munich, Germany. His short film Por los caminos del sur/Down Southern Roads (2015), part of the 13th Morelia International Film Festival’s (FICM) Official Selection, won the José Rovirosa Award for Best Student Documentary and was nominated in the category of Best Documentary Short Film for the 58th Ariel Awards. Por los caminos del sur has also traveled in competitions like the Festival dei Popoli in Italy, the Göttingen International Ethnographic Film Festival in Germany, and the Pärnu Film Festival in Estonia. As director of photography, his work Negro (2014) by Daniel Castro won the Pantalla de Cristal Award for Best Photography, and Nunca regreses/ Never Come Back (2014) by Leonardo Díaz, won the award for Best Work from the Michoacan Section at the 12th FICM. Nunca regreses was also part of a special screening of FICM at the 54th Critic’s Week, a paralel section of the Cannes Film Festival, and it won the award for Best Iberoamerican Short Film at the 19th edition of the Guadalajara International Film Festival (FICG). He is currently in post-production of Zapatos, his B.A. thesis.
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
