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Lara; Gerardo

He studied cinematography at the Centro Universitario de Estudios Cinematográficos (CUEC-UNAM) in Mexico City. He received the Rockefeller and MacArthur scholarships in 1998. He won First Place at the Sceenplay Bank at the Mexican Writers’ Guild (SOGEM) on two occasions: in 2001 for Rencor vivo and in 2002 for Sangre de toro. His work has been shown in more than 10 festivals around the world. With his short film Diamante (1984) he participated in the 1st Guadalajara International Film Festival (FICG), Mexico; in the 6th Amiens International Film Festival, France; and in the 11th Toronto International Film Festival (TIFF), Canada. This work was nominated in the category of Best Short Film at the 22nd Silver Goddess Awards, Mexico. With his feature film debut Un año perdido (1993) he participated in the 8th FICG; in the 15th International Festival of New Latin American Cinema of Havana, Cuba; and in the 14th Amiens International Film Festival. His short documentary film La perra del diablo/The Devil’s Bitch (2005) was part of the Official Selection of the 3rd Morelia International Film Festival (FICM) and of the 21st FICG. He is currently working in post-production of his short fiction film Dulce pesar.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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