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Lara; Gerardo

He studied cinematography at the Centro Universitario de Estudios Cinematográficos (CUEC-UNAM) in Mexico City. He received the Rockefeller and MacArthur scholarships in 1998. He won First Place at the Sceenplay Bank at the Mexican Writers’ Guild (SOGEM) on two occasions: in 2001 for Rencor vivo and in 2002 for Sangre de toro. His work has been shown in more than 10 festivals around the world. With his short film Diamante (1984) he participated in the 1st Guadalajara International Film Festival (FICG), Mexico; in the 6th Amiens International Film Festival, France; and in the 11th Toronto International Film Festival (TIFF), Canada. This work was nominated in the category of Best Short Film at the 22nd Silver Goddess Awards, Mexico. With his feature film debut Un año perdido (1993) he participated in the 8th FICG; in the 15th International Festival of New Latin American Cinema of Havana, Cuba; and in the 14th Amiens International Film Festival. His short documentary film La perra del diablo/The Devil’s Bitch (2005) was part of the Official Selection of the 3rd Morelia International Film Festival (FICM) and of the 21st FICG. He is currently working in post-production of his short fiction film Dulce pesar.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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