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Lara, Gabriela

She studied communication at the Iberoamerican University (UIA, in Spanish), Mexico City, actor direction at the International School of Film and Television (EICTV, in Spanish) of San Antonio de los Baños, Cuba, and received a master’s degree in film directing from the Film and TV School of the Academy of Performing Arts in Prague (FAMU), Czech Republic. She was part of Berlinale Talents in 2006. She has participated in two editions of the Morelia International Film Festival (FICM). She competed with her short fiction film Still Life (2006) in the 5th FICM and in the 10th Guanajuato International Film Festival (GIFF). In the same edition of GIFF, she won First Place in the category of Feature Film at the 6th National Screenwriting Competition, for her screenplay Restaurante. This feature film project was part of the production workshop Morelia LAB at the 6th FICM. In the same edition of FICM she participated with her short fiction film Army of me (mi armada) (2007). In 2013, she received a grant from the Fiscal Stimulus for Investment Projects in National Film Production and Distribution (EFICINE) to make her first feature film Restaurante, which is still in the pre-production stage.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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