Image Torres; Kim Kim Torres es guionista y directora. Realizó una especialidad en escritura de guiones en el Centro de Capacitación Cinematográfica (CCC) en México. Fue parte del Berlinale Talents Guadalajara como directora en 2019. Actualmente está trabajando en su largometraje “Si no ardemos cómo iluminar la noche”, seleccionado recientemente como parte de La Fabrique Cinémas du Monde, Cannes 2021. Other Movies If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More 40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More Related News LA VIRGEN DE LA TOSQUERA Enchanted Audiences at the 23rd FICM 10 · 15 · 25 “Where and Who We Are Changes as Life Shapes Us With Blows and God Dictates the Form”: Guillermo del Toro's Message Ahead of FRANKENSTEIN'S Premiere at the 23rd FICM 10 · 15 · 25 PARA VIVIR: EL IMPLACABLE TIEMPO DE PABLO MILANÉS at the 23rd FICM 10 · 15 · 25 Alexandra Hedison Presented ALOK, a Short Film That Goes Beyond the Binary, at the 23rd FICM 10 · 15 · 25 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Torres; Kim Kim Torres es guionista y directora. Realizó una especialidad en escritura de guiones en el Centro de Capacitación Cinematográfica (CCC) en México. Fue parte del Berlinale Talents Guadalajara como directora en 2019. Actualmente está trabajando en su largometraje “Si no ardemos cómo iluminar la noche”, seleccionado recientemente como parte de La Fabrique Cinémas du Monde, Cannes 2021.
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
LA VIRGEN DE LA TOSQUERA Enchanted Audiences at the 23rd FICM 10 · 15 · 25 “Where and Who We Are Changes as Life Shapes Us With Blows and God Dictates the Form”: Guillermo del Toro's Message Ahead of FRANKENSTEIN'S Premiere at the 23rd FICM 10 · 15 · 25 PARA VIVIR: EL IMPLACABLE TIEMPO DE PABLO MILANÉS at the 23rd FICM 10 · 15 · 25 Alexandra Hedison Presented ALOK, a Short Film That Goes Beyond the Binary, at the 23rd FICM 10 · 15 · 25
“Where and Who We Are Changes as Life Shapes Us With Blows and God Dictates the Form”: Guillermo del Toro's Message Ahead of FRANKENSTEIN'S Premiere at the 23rd FICM 10 · 15 · 25
Alexandra Hedison Presented ALOK, a Short Film That Goes Beyond the Binary, at the 23rd FICM 10 · 15 · 25
