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Ibaven, Michelle

She studied communication at the Instituto Tecnológico y de Estudios Superiores de Monterrey (ITESM), Mexico, and did postgraduate studies at the Madrid Film School, Spain: in documentary film directing and screenwriting, and directing of photography for digital film. She received the “David Alfaro Siqueiros” Artistic Creation and Development Stimulus Program grant, in Chihuahua, on two occasions in 2010 and in 2012. She won the Best Short Film Documentary award at the Guadalajara International Film Festival (FICG, in Spanish), Mexico, with her short documentary film Coyera (2009). She won the award for Best Documentary by a Woman at the 10th Morelia International Film Festival (FICM) for her first feature length documentary No hay lugar lejano (2012), which was shown at more than 20 film screenings and festivals around the world and won, among other prizes, a Jury Special Mention at the 23rd Festival Présence Autochtone, Montreal, and three awards for Best Documentary: at the 7th Ecozine International Film and Environment Festival of Zaragoza, Spain; the 11th Kathmandu International Mountain Film Festival (KIMFF), Nepal; and the 5th “Cinema Planeta” International Film and Environment Festival, Mexico City.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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