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Hernaiz, Marta

She graduated from a B.A. in Film and Television at the Centro de Diseño, Cine y Televisión (CENTRO) in Mexico City, and from an M.F.A. at the Sarajevo Film Academy. She is the producer and photographer of the feature films La asunción de José (2016) by Juan Rocha, and I am God, Dogma I by Jorge Bolado, which is currently in post-production. Her short film Dobro (2016), part of the Official Selection of the 14th Morelia International Film Festival, has participated in festivals such as the New York International Film Festival, in the United States; the Cinéfondation section of the 2016 Cannes Film Festival; the Films Femmes Méditerranée, in Marseille; and the Sarajevo International Film Festival, among others. Dobro has won several awards, including a Special Mention at the Festival Internazionale Del Cinema Povero, in Italy; and the Award for Best Mexican Short Film and a Special Mention from the Women in Film and Television Association at the Guanajuato International Film Festival (GIFF), among others. She is currently in post-production of her first feature film La caótica vida de Nada.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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