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Hernaiz, Marta

She graduated from a B.A. in Film and Television at the Centro de Diseño, Cine y Televisión (CENTRO) in Mexico City, and from an M.F.A. at the Sarajevo Film Academy. She is the producer and photographer of the feature films La asunción de José (2016) by Juan Rocha, and I am God, Dogma I by Jorge Bolado, which is currently in post-production. Her short film Dobro (2016), part of the Official Selection of the 14th Morelia International Film Festival, has participated in festivals such as the New York International Film Festival, in the United States; the Cinéfondation section of the 2016 Cannes Film Festival; the Films Femmes Méditerranée, in Marseille; and the Sarajevo International Film Festival, among others. Dobro has won several awards, including a Special Mention at the Festival Internazionale Del Cinema Povero, in Italy; and the Award for Best Mexican Short Film and a Special Mention from the Women in Film and Television Association at the Guanajuato International Film Festival (GIFF), among others. She is currently in post-production of her first feature film La caótica vida de Nada.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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