Image Hagerman; Carlos He studied communication at the Universidad Iberoamericana and received a Master’s degree in film from New York University on a Fulbright scholarship. In 2007 he founded, together with Martha Sosa, La Sombra del Guayabo, an independent production company. In 2012 he founded Brinca Taller de Animación, a studio dedicated to content for children. He received a National System of Art Creators Scholarship of the National Fund for Culture and the Arts, Mexico. He collaborated for eight years with the directing team of Alejandro González Iñárritu in the production company Zeta Films. He trains new documentary filmmakers with “Ambulante Más Allá” and the “University Competition on Identity and Belonging.” His first documentary Los que se quedan (2008), co-directed with Juan Carlos Rulfo, won several awards, including, the Mayahuel for Best Documentary at the 24th Guadalajara International Film Festival (FICG, in Spanish), Mexico; Best Iberoamerican Documentary at the 4th International Documentary Film Festival of Mexico City, DocsDF; First Jury Award at the 9th Madrid International Film Festival, DocumentaMadrid; and Special Mention at the 18th Biarritz Latin American Film Festival, France, among others. His second documentary Vuelve a la vida (2010) won an Honorary Mention at the 6th DocsDF and was presented at the 8th Morelia International Film Festival (FICM), Mexico, the 5th Rome International Film Festival, Italy, and the 39th La Rochelle International Film Festival, France, among others. His short film Tres miniaturas de Eugenio (2012) was presented at the 11th FICM. His animated short film El móvil (2014), co-directed with Jorge Villalobos, participated in the 12th FICM, the 29th FICG, and the 19th International Film Festival for Children “La Matatena,” Mexico. His documentary El patio de mi casa (2015) is part of the Official Selection of the 13th FICM. Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News El terreno compartido entre el cine y la gastronomía 06 · 01 · 15 Un ceviche de contadores de historias: Entrevista a Carlos Hagerman 05 · 30 · 15 Cinema and Gastronomy: A List in Progress 04 · 08 · 15 FICM present at the 5th edition of Morelia en Boca 03 · 25 · 15 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Hagerman; Carlos He studied communication at the Universidad Iberoamericana and received a Master’s degree in film from New York University on a Fulbright scholarship. In 2007 he founded, together with Martha Sosa, La Sombra del Guayabo, an independent production company. In 2012 he founded Brinca Taller de Animación, a studio dedicated to content for children. He received a National System of Art Creators Scholarship of the National Fund for Culture and the Arts, Mexico. He collaborated for eight years with the directing team of Alejandro González Iñárritu in the production company Zeta Films. He trains new documentary filmmakers with “Ambulante Más Allá” and the “University Competition on Identity and Belonging.” His first documentary Los que se quedan (2008), co-directed with Juan Carlos Rulfo, won several awards, including, the Mayahuel for Best Documentary at the 24th Guadalajara International Film Festival (FICG, in Spanish), Mexico; Best Iberoamerican Documentary at the 4th International Documentary Film Festival of Mexico City, DocsDF; First Jury Award at the 9th Madrid International Film Festival, DocumentaMadrid; and Special Mention at the 18th Biarritz Latin American Film Festival, France, among others. His second documentary Vuelve a la vida (2010) won an Honorary Mention at the 6th DocsDF and was presented at the 8th Morelia International Film Festival (FICM), Mexico, the 5th Rome International Film Festival, Italy, and the 39th La Rochelle International Film Festival, France, among others. His short film Tres miniaturas de Eugenio (2012) was presented at the 11th FICM. His animated short film El móvil (2014), co-directed with Jorge Villalobos, participated in the 12th FICM, the 29th FICG, and the 19th International Film Festival for Children “La Matatena,” Mexico. His documentary El patio de mi casa (2015) is part of the Official Selection of the 13th FICM.
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
El terreno compartido entre el cine y la gastronomía 06 · 01 · 15 Un ceviche de contadores de historias: Entrevista a Carlos Hagerman 05 · 30 · 15 Cinema and Gastronomy: A List in Progress 04 · 08 · 15 FICM present at the 5th edition of Morelia en Boca 03 · 25 · 15
