Image González-Rubio, Pedro He studied communication at the Intercontinental University (UIC), in Mexico City, and Art & Technique of Filmmaking at the London Film School (LFS). His work has participated in more than 10 film festival around the world and has won awards at three editions of the Morelia International Film Festival (FICM). For Toro negro (2005) he won Best Feature Documentary at the 3rd FICM and at the 27th International Festival of New Latin American Film in Havana, among others. For his first fiction feature film, Alamar (2009), he won the award for Best Mexican Feature and the Audience Award at the 7th FICM; the Tiger Award for Best Film at the 39th International Film Festival Rotterdam (IFFR); and the New Directors Award at the 53rd San Francisco International Film Festival (SFIFF), among other awards. His documentary Inori (2012) won the award for Best Feature Documentary at the 10th FICM and the Golden Leopard at the 65th Locarno International Film Festival in Switzerland. Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News Presentan la 13ª edición de la Gira de Documentales Ambulante 02 · 27 · 18 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image González-Rubio, Pedro He studied communication at the Intercontinental University (UIC), in Mexico City, and Art & Technique of Filmmaking at the London Film School (LFS). His work has participated in more than 10 film festival around the world and has won awards at three editions of the Morelia International Film Festival (FICM). For Toro negro (2005) he won Best Feature Documentary at the 3rd FICM and at the 27th International Festival of New Latin American Film in Havana, among others. For his first fiction feature film, Alamar (2009), he won the award for Best Mexican Feature and the Audience Award at the 7th FICM; the Tiger Award for Best Film at the 39th International Film Festival Rotterdam (IFFR); and the New Directors Award at the 53rd San Francisco International Film Festival (SFIFF), among other awards. His documentary Inori (2012) won the award for Best Feature Documentary at the 10th FICM and the Golden Leopard at the 65th Locarno International Film Festival in Switzerland.
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
