Image Gómez Córdova, Sofía Originally from Aguascalientes, she studied audiovisual arts in the Department of Image and Sound (DIS) of the University of Guadalajara (U. de G.), Jalisco, where she currently works as a professor. She has dedicated herself to film editing, in works such as Luces negras (2009) by Samuel Kishi Leopo and Me parezco tanto a ti (2011) by Luna Marán, as well as the co-edition of two feature length documentaries La hora de la siesta (2014) by Carolina Platt Soberanes and Retratos de una búsqueda (2014) by Alicia Calderón, both selected for the 12th FICM. Recently, she became involved in screenwriting, an area in which her work stands out in Samuel Kishi Leopo’s first feature film, Somos Mari Pepa (2013), selected by the 11th FICM and winner of the Press Award at the 16th Guanajuato International Film Festival (GIFF) and an Honorable Mention at the 31st Miami International Film Festival (MIFF). Her work as a director has been shown in more than 10 festivals around the world. She participated with her short fiction film Historia de un matrimonio (2006) in the 5th St. Petersburg International Festival of Debut and Student Film BEGINNING, Russia, and the 6th International Student Film Festival Písek (MFSFPÍSEK, in Czech), Czech Republic. She won Second Place at the 6th Female Sessions and First Place in the category of fiction at the 4th Certamen de Cortometrajes, in Guadalajara, Mexico, for Día de campo (2011). Her short fiction film La última batalla contra las malditas palomas (2014) was part of the Official Selection of the 12th Morelia International Film Festival (FICM). She is currently working on her first feature film Los ojos de Schrödinger. This project was part of Guadalajara Talents 2014, in the context of the 29th Guadalajara International Film Festival (FICG); of the International Pitching Market during the 17th GIFF; and the Rotterdam Lab of the 43 International Film Festival Rotterdam (IFFR), Netherlands. Other Movies Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Ziuta travesías Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life. See More Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More Related News Hernán Cortés: two atypical visions 04 · 10 · 25 MIL CAMINOS TIENE LA MUERTE: Arsenio Campos (1946-2025) 04 · 03 · 25 EL CAMINO DE LA VIDA: THE YOUNG AND THE DAMNED by Matilde Landeta 03 · 27 · 25 Juan Rulfo and the silver screen 03 · 20 · 25 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Gómez Córdova, Sofía Originally from Aguascalientes, she studied audiovisual arts in the Department of Image and Sound (DIS) of the University of Guadalajara (U. de G.), Jalisco, where she currently works as a professor. She has dedicated herself to film editing, in works such as Luces negras (2009) by Samuel Kishi Leopo and Me parezco tanto a ti (2011) by Luna Marán, as well as the co-edition of two feature length documentaries La hora de la siesta (2014) by Carolina Platt Soberanes and Retratos de una búsqueda (2014) by Alicia Calderón, both selected for the 12th FICM. Recently, she became involved in screenwriting, an area in which her work stands out in Samuel Kishi Leopo’s first feature film, Somos Mari Pepa (2013), selected by the 11th FICM and winner of the Press Award at the 16th Guanajuato International Film Festival (GIFF) and an Honorable Mention at the 31st Miami International Film Festival (MIFF). Her work as a director has been shown in more than 10 festivals around the world. She participated with her short fiction film Historia de un matrimonio (2006) in the 5th St. Petersburg International Festival of Debut and Student Film BEGINNING, Russia, and the 6th International Student Film Festival Písek (MFSFPÍSEK, in Czech), Czech Republic. She won Second Place at the 6th Female Sessions and First Place in the category of fiction at the 4th Certamen de Cortometrajes, in Guadalajara, Mexico, for Día de campo (2011). Her short fiction film La última batalla contra las malditas palomas (2014) was part of the Official Selection of the 12th Morelia International Film Festival (FICM). She is currently working on her first feature film Los ojos de Schrödinger. This project was part of Guadalajara Talents 2014, in the context of the 29th Guadalajara International Film Festival (FICG); of the International Pitching Market during the 17th GIFF; and the Rotterdam Lab of the 43 International Film Festival Rotterdam (IFFR), Netherlands.
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
Ziuta travesías Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life. See More
Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More
Hernán Cortés: two atypical visions 04 · 10 · 25 MIL CAMINOS TIENE LA MUERTE: Arsenio Campos (1946-2025) 04 · 03 · 25 EL CAMINO DE LA VIDA: THE YOUNG AND THE DAMNED by Matilde Landeta 03 · 27 · 25 Juan Rulfo and the silver screen 03 · 20 · 25
