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Golsand, Stephane

He studied international relations at the Mexico Autonomous Institute of Technology (ITAM, in Spanish); and a course in directing and editing of documentaries at The New School in New York and an MBA at Columbia University. He participated in the 9th Morelia International Film Festival (FICM) with his short documentary film Lánzate sin mirar (2010), which was presented at more than 30 festivals around the world; including the 14th DOCSBARCELONA International Documentary Film Festival, the 31st Cambridge Film Festival, the 35th Festival des Films du Monde de Montréal and the 8th Corto Circuito The Latino Shorts Film Festival of New York. It won the Best Documentary award at the 10th St. Petersburg International Festival of Debut and Student Films BEGINNING; the Audience Award at the 35th Annual Invitational Film Show Fine Cuts, New York; and a Special Mention in the Documentary section of the 11th Lille International Short Film Festival, France.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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