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Giorgi, Davy

He received an Advanced Diploma in Directing from the International Film School Sydney (IFSS), Australia. In 2007 he began his career as a film director and three years later his first short film, Candy (2010), was selected in diverse international film festivals such as the Guadalajara International Film Festival (FICG) in Mexico, and the Sedicicorto International Film Festival in Italy, among others. In 2012, he presented El pescador in the Official Selection of the 9th Morelia International Film Festival (FICM), where it received a Special Mention. El pescador was also nominated for the Ariel Award for Best Short Fiction Film and it was selected in more than 45 international festivals, including the Hong Kong International Film Festival and the Chicago Latino International Film Festival. In 2016, Ascensión, his first animated short film, co-directed by Samantha Pineda, was selected at the 14th edition of FICM, as well as in the Macabro International Film Festival and the Shorts Mexico international film festival. He is currently working, in collaboration with Samantha Pineda, on the post-production of Happiness, his most recent work, and in production of his first feature film, Pequeño suicidio. The screenplay of Pequeño suicidio was selected for the Oaxaca Screenwriting Lab and the Young Creators scholarship by the Mexican National Fund for Culture and Arts (Fondo Nacional para la Cultura y las Artes, FONCA).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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