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Fregoso Centeno, Isabel Cristina

She studied cinematography at the CUEC-UNAM film school in Mexico City, communication at the Jesuit University of Guadalajara (ITESO, in Spanish), and film appreciation at the Film Research and Teaching Center (CIEC) of the University of Guadalajara (U. de G.). She received the Young Creators Grant from the National Fund for Culture and the Arts (FONCA) in 2001, the Ford-Rockefeller Grant in 2002 and the Fund for Quality Film Production (FOPROCINE, in Spanish) grant from the Mexican Film Institute (IMCINE) in 2006, among others. Her work has been shown at more than 20 film screenings and festivals around the world. She received the Ariel for Best Documentary Short Film at the 34th Ariel Awards Ceremony, Mexico, and the CINED Prize for Best Educational Cinematography at the 24th International Festival of New Latin American Film, Havana, Cuba, for her short documentary film Chenalhó, el corazón de los Altos (2000). She participated with her short documentary film Cristeros y Federales (2011) in the 9th Morelia International Film Festival (FICM), the 24th Guadalajara International Film Festival (FICG, in Spanish) and the 5th Corona Fastnet Short Film Festival, Ireland, among others.

 

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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