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Flores; Erick

He studied communication at the Jesuit University of Guadalajara (ITESO, Jalisco, Mexico. He participated in several editions of the Freak Film Festival Tijuana (FFF / FFFTJ), Baja California, Mexico: in the first edition with his experimental short film The Rain and the Twenty Months (2008); in the second with his short fiction film Parkour: El documental (2009); and in the third edition with his animated short film Paranoia 2 (2010). He participated in the 1st Ural Industrial Biennal of Contemporary Art, Russia, with his experimental short film Industrial Industria (2010), in the program “Industrial 59''”. His experimental short film Afraid of Destiny (2013) was part of the Vimeo Staff Picks in 2013. His documentary short film OSO_TAPATÍO (2014), co-directed with Miguel Cedeño, competed in the 12th Morelia International Film Festival (FICM). This film was also shown at the 17th Guanajuato International Film Festival (GIFF), in the section “Locura de la media noche”, and is part of the Official Selection of the 7th Zanate Documentary Film and Video Festival, Colima, Mexico, and of the 12th LGBTI International Film Festival "El lugar sin límites", Ecuador.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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