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Estrada Serafín, Juan José

Photographer graduated from the Fábrica de Imágenes school. He has taken courses on indigenous media at the Intercultural Indigenous University of Michoacán and in other organizations like the Boca de Polen Community Radio Network. His first short film Nana Tsïri (2012) received the Honorable Mention at the 2012 Indigenous Film and Video Festival. He has collaborated with audiovisual material for different media, including the documentaries El guardabosques de Cherán (2013) for the Mano Vuelta collective and Soy autodefensa: viaje por una rebelión armada (2016) in collaboration with Tequio Audiovisual. He has given talks and conferences about indigenous journalism in Michoacán in spaces such as the Photographic Reunion of Mexico, in Cholula, Puebla, and the National Autonomous University of Mexico (UNAM), among others. His work as a photographer has been showcased in publications such as Cuartoscuro, La Jornada, Proceso, Gatopardo, VICE Latin America and Variopinto. His short film Itsïri k’uinchekua / La fiesta del agua was part of the Official Selection of the 14th Morelia International Film Festival (FICM).

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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