Image Estrada Serafín, Juan José Photographer graduated from the Fábrica de Imágenes school. He has taken courses on indigenous media at the Intercultural Indigenous University of Michoacán and in other organizations like the Boca de Polen Community Radio Network. His first short film Nana Tsïri (2012) received the Honorable Mention at the 2012 Indigenous Film and Video Festival. He has collaborated with audiovisual material for different media, including the documentaries El guardabosques de Cherán (2013) for the Mano Vuelta collective and Soy autodefensa: viaje por una rebelión armada (2016) in collaboration with Tequio Audiovisual. He has given talks and conferences about indigenous journalism in Michoacán in spaces such as the Photographic Reunion of Mexico, in Cholula, Puebla, and the National Autonomous University of Mexico (UNAM), among others. His work as a photographer has been showcased in publications such as Cuartoscuro, La Jornada, Proceso, Gatopardo, VICE Latin America and Variopinto. His short film Itsïri k’uinchekua / La fiesta del agua was part of the Official Selection of the 14th Morelia International Film Festival (FICM). Other Movies The Conformist In Fascist Italy in 1938, Marcello Clerici is eager to be accepted into the social circles of the regime, which he admires. His opportunity arises when he is ordered to track down, in Paris, a former professor of his—now an opponent of Mussolini—and assassinate him. See More The Conformist In Fascist Italy in 1938, Marcello Clerici is eager to be accepted into the social circles of the regime, which he admires. His opportunity arises when he is ordered to track down, in Paris, a former professor of his—now an opponent of Mussolini—and assassinate him. See More The Conformist In Fascist Italy in 1938, Marcello Clerici is eager to be accepted into the social circles of the regime, which he admires. His opportunity arises when he is ordered to track down, in Paris, a former professor of his—now an opponent of Mussolini—and assassinate him. See More Related News ¡Conoce a la Sección Michoacana del 14º FICM! 09 · 19 · 16 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Estrada Serafín, Juan José Photographer graduated from the Fábrica de Imágenes school. He has taken courses on indigenous media at the Intercultural Indigenous University of Michoacán and in other organizations like the Boca de Polen Community Radio Network. His first short film Nana Tsïri (2012) received the Honorable Mention at the 2012 Indigenous Film and Video Festival. He has collaborated with audiovisual material for different media, including the documentaries El guardabosques de Cherán (2013) for the Mano Vuelta collective and Soy autodefensa: viaje por una rebelión armada (2016) in collaboration with Tequio Audiovisual. He has given talks and conferences about indigenous journalism in Michoacán in spaces such as the Photographic Reunion of Mexico, in Cholula, Puebla, and the National Autonomous University of Mexico (UNAM), among others. His work as a photographer has been showcased in publications such as Cuartoscuro, La Jornada, Proceso, Gatopardo, VICE Latin America and Variopinto. His short film Itsïri k’uinchekua / La fiesta del agua was part of the Official Selection of the 14th Morelia International Film Festival (FICM).
The Conformist In Fascist Italy in 1938, Marcello Clerici is eager to be accepted into the social circles of the regime, which he admires. His opportunity arises when he is ordered to track down, in Paris, a former professor of his—now an opponent of Mussolini—and assassinate him. See More
The Conformist In Fascist Italy in 1938, Marcello Clerici is eager to be accepted into the social circles of the regime, which he admires. His opportunity arises when he is ordered to track down, in Paris, a former professor of his—now an opponent of Mussolini—and assassinate him. See More
The Conformist In Fascist Italy in 1938, Marcello Clerici is eager to be accepted into the social circles of the regime, which he admires. His opportunity arises when he is ordered to track down, in Paris, a former professor of his—now an opponent of Mussolini—and assassinate him. See More
