Image Estrada Serafín, Juan José Photographer graduated from the Fábrica de Imágenes school. He has taken courses on indigenous media at the Intercultural Indigenous University of Michoacán and in other organizations like the Boca de Polen Community Radio Network. His first short film Nana Tsïri (2012) received the Honorable Mention at the 2012 Indigenous Film and Video Festival. He has collaborated with audiovisual material for different media, including the documentaries El guardabosques de Cherán (2013) for the Mano Vuelta collective and Soy autodefensa: viaje por una rebelión armada (2016) in collaboration with Tequio Audiovisual. He has given talks and conferences about indigenous journalism in Michoacán in spaces such as the Photographic Reunion of Mexico, in Cholula, Puebla, and the National Autonomous University of Mexico (UNAM), among others. His work as a photographer has been showcased in publications such as Cuartoscuro, La Jornada, Proceso, Gatopardo, VICE Latin America and Variopinto. His short film Itsïri k’uinchekua / La fiesta del agua was part of the Official Selection of the 14th Morelia International Film Festival (FICM). Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News ¡Conoce a la Sección Michoacana del 14º FICM! 09 · 19 · 16 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Estrada Serafín, Juan José Photographer graduated from the Fábrica de Imágenes school. He has taken courses on indigenous media at the Intercultural Indigenous University of Michoacán and in other organizations like the Boca de Polen Community Radio Network. His first short film Nana Tsïri (2012) received the Honorable Mention at the 2012 Indigenous Film and Video Festival. He has collaborated with audiovisual material for different media, including the documentaries El guardabosques de Cherán (2013) for the Mano Vuelta collective and Soy autodefensa: viaje por una rebelión armada (2016) in collaboration with Tequio Audiovisual. He has given talks and conferences about indigenous journalism in Michoacán in spaces such as the Photographic Reunion of Mexico, in Cholula, Puebla, and the National Autonomous University of Mexico (UNAM), among others. His work as a photographer has been showcased in publications such as Cuartoscuro, La Jornada, Proceso, Gatopardo, VICE Latin America and Variopinto. His short film Itsïri k’uinchekua / La fiesta del agua was part of the Official Selection of the 14th Morelia International Film Festival (FICM).
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
