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Cepeda Sánchez, César Gabriel

Plastic artist who has worked in film, theater and television production. In 2012 he directed the project Historia de un títere, the winning video installation of the Quito Contemporary Art Meeting, in Ecuador. He also presented Debajo del árbol, the first stop motion animated short film made in Puebla, Mexico. In 2013 he directed the project Puebla 1862, cubierta de gloria, one of the four winning projects of the XIV National Contest of Short Film Projects organized by the Mexican Film Institute (IMCINE) and by the Ministry of Culture. He received a scholarship from the FOESCAP for the project “Animación experimental, métodos de producción”. His short animated film Elena y las sombras (2016) was part of the Official Selection of the 14th Morelia International Film Festival (FICM), where it won the Online Short Mexican Film Award. Elena y las sombras has also participated in festivals such as the StopMotion International Festival, the Pixelatl Festival, the Shorts Mexico Film Festival, in Mexico; and the Fantoche de Badeny Festival, in Switzerland. He is currently part of the team at “KraNeo” studio.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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