Image Ceballos, Dionisio He studied communication at the Iberoamerican University (UIA, in Spanish), Mexico City. He worked as the animator and image designer of the animated short film 4 maneras de tapar un hoyo (1995) by Guillermo Rendón and Jorge Villalobos. The film was selected to participate in the 49th Cannes Film Festival, France, and won, among other awards, the Golden Jaguar for Best Short Film at the 4th Cancún Riviera Maya International Film Festival, Quintana Roo; the OCIC Award at the 11th Guadalajara International Film Festival (FICG), Jalisco; and the Third Coral Award for Animation at the 18th International Festival of New Latin American Film, Havana, Cuba. His short fiction film Al final del día (2006) competed in the 5th Morelia International Film Festival (FICM) and was presented at the Short Film Corner of the 60th Cannes Film Festival and at the 24th Miami International Film Festival (MIFF). He received an Emmy for Animation and Design at the 40th Annual Northern California Area Emmy® Awards, San Francisco, for his work on the documentary The Next Frontier: Engineering the Golden Age of Green (2010), by Brad Marshland and Morgan Schmidt-Feng. He received the Creative Work Fund scholarship for his animated short film project Tata’s Gift in 2014. Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Ceballos, Dionisio He studied communication at the Iberoamerican University (UIA, in Spanish), Mexico City. He worked as the animator and image designer of the animated short film 4 maneras de tapar un hoyo (1995) by Guillermo Rendón and Jorge Villalobos. The film was selected to participate in the 49th Cannes Film Festival, France, and won, among other awards, the Golden Jaguar for Best Short Film at the 4th Cancún Riviera Maya International Film Festival, Quintana Roo; the OCIC Award at the 11th Guadalajara International Film Festival (FICG), Jalisco; and the Third Coral Award for Animation at the 18th International Festival of New Latin American Film, Havana, Cuba. His short fiction film Al final del día (2006) competed in the 5th Morelia International Film Festival (FICM) and was presented at the Short Film Corner of the 60th Cannes Film Festival and at the 24th Miami International Film Festival (MIFF). He received an Emmy for Animation and Design at the 40th Annual Northern California Area Emmy® Awards, San Francisco, for his work on the documentary The Next Frontier: Engineering the Golden Age of Green (2010), by Brad Marshland and Morgan Schmidt-Feng. He received the Creative Work Fund scholarship for his animated short film project Tata’s Gift in 2014.
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
