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Carrizosa; Davek

He studied visual arts at the Autonomous University of Nuevo León (UANL, in Spanish), Mexico, and received a Master’s in Art specializing in audiovisual theory, practice and creation at the Film Academy of Miroslav Ondricek (FAMO, in Czech) in Písek, Czech Republic. His first feature film El hombre de las gerberas (2013) was presented at the 17th Madrid Imagen Film Festival, Spain, and he received the award for Best Feature Film of Nuevo León at the 9th Monterrey International Film Festival, Mexico. His short film Hyena (2014) was shown at the 7th Artfools International Film Festival in Larissa, Greece; the 3rd Kraljevski Filmski Festival (KFF) in Kraljevo, Serbia; and the 5th Opuzen Film Festival, Croatia. His short film Leona (2015) has been presented at various festivals around the world, including the 2nd Campeche Film Festival (CFF), Mexico; the 1st Cine Vivo Latino Film Festival in Perth, Australia; the 1st Neuquén International Film Festival, Argentina; the 10th Shorts Mexico, International Short Film Festival of Mexico; and the 7th Santander International Film Festival (FICS, in Spanish) in Bucaramanga, Colombia. He was part of the Official Selection of the 13th Morelia International Film Festival (FICM).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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