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Cardozo, Diana

She studied cinematography at the CCC film school in Mexico City. She received the Rockefeller grant in 2005 and is currently a member of the National System of Art Creators of the National Fund for Culture and the Arts (FONCA), Mexico. Her work has been presented at more than 70 festivals around the world, including two editions of the Morelia International Film Festival (FICM). She won the Best Fiction Short Film award at the 1st FICM and the Audience Award and the Gold Colibrí award for Best Short Film at the 7th South American Film Encounters, Marseille, France, for La luna de Antonio, which also participated in the 26th Clermont-Ferrand International Short Film Festival, France, among others. She won the Best Documentary Made By a Woman at the 6th FICM for Siete instantes (2008), which also received the FIPRESCI Award and a Special Mention at the 27th Uruguay International Film Festival; the Best Documentary Award at the 49th Cartagena International Film Festival (FICCI, in Spanish), Colombia; the FEISAL Award at the 23rd Guadalajara International Film Festival (FICG, in Spanish); and the First Camera Award at the 12th Montreal International Documentary Festival (RIDM in French), among others.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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