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Carbajal Papadimitriou, Soledad Violeta

She studied Filmmaking at the University Center for Film Studies (CUEC-UNAM). In 2014 she participated in Gustavo Parra’s Actor Directing Film Lab. That same year she presented her short film El objeto, selected at the Oaxaca Film Fest and at the Feratum Film Fest – Fantastic Film Festival, Horror and Sci-fi, and winner of the award for Best Art Direction at the Crystal Screen Festival. In 2015 she received a scholarship from the Cátedra Ingmar Bergman to attend the Film Production Workshop at the California State University in Northridge, California. She has worked as a crew member in productions such as Año bisiesto / Leap Year (2010) by Michael Rowe, and Daniel y Ana (2009) by Michel Franco. During the first half of 2016 she worked as script supervisor at the CUEC first film Mente revólver by Alejandro Ramírez Corona. Her short film Puertas (2016), part of the Official Selection of the 14th Morelia International Film Festival (FICM), won the award for Best Neo Mex Short Film at the Shorts Mexico Film Festival. She is currently studying a masters in screenwriting at the London Film School.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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