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Arroyo Abraham, Juan Pablo

He received a master’s degree in film directing from the College of Arts and Entertainment TAI, Madrid, Spain. He has participated in three editions of the Morelia International Film Festival (FICM). His short documentary film El Coyotito (2007) was part of the Official Selection of the 5th FICM and the 4th Monterrey International Film Festival (FIC Monterrey, in Spanish). He participated in the 3rd International Film Festival on Human Rights in Mexico (DHFEST) and the film series El orden que Tramonta at the Digital Cultural Center (CCD, in Spanish), Mexico, in 2013, with his feature-length documentary Clandestino (2008), which won the award for Best Work from the Michoacán Section at the 6th FICM. His short fiction film El espacio vacío (2009) was part of the 7th FICM’s Official Selection. He participated in the 8th Independent Hispanic American Film and Video Festival, “All Voices Against the Silence,” Mexico, with his feature-length documentary Alias (2013).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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