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Alvarado Brumm; Amadeo Sebastián

He took a course in screenwriting at the CCC film school in Mexico City and various workshops and laboratories in production and film direction with professors Samuel Larsen, Ricardo Benet and Alberto Becerril Montekio, among others. He participated in the 2nd Morelia International Film Festival (FICM) with his short fiction film Pajarito volando (2004). His documentary short film TLC Caravana Nacional (2008) was part of the Official Selection at the 4th Indigenous Film and Video Festival of Michoacán (FECVI). He won a Special Mention at the 5th FECVI for his short film Kuali an Ajxic Patu Xalipan (Bienvenidos a nuestras playas) (2009), that was also part of the Official Selection of the 13th Native American Film + Video Festival (NAFVF) of the National Museum of the American Indian (NMAI) of the Smithsonian Institution, New York, and the 2nd “Cinema Planeta” International Film and Environment Festival, Morelos, among others.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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