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Alazraki, Gary

He studied art at the School of Cinematic Arts at the University of Southern California (USC), United States. He is a writer, producer and director of film and television, president of the Administration Board of Alazraki Entertainment Force SA de CV. He participated in the 6th Morelia International Film Festival (FICM) with his short fiction film, La hora cero (2007), with a screenplay by Guillermo Arriaga. His first feature film Nosotros los nobles (2013) won five awards at the 10th edition of the Canacine Awards, Mexico: Best Picture, Best Mexican Actor of the Year for Luis Gerardo Méndez, Mexican Actress of the Year for Karla Souza, Best Mexican Picture of the Year and a special award of the Top Selling Mexican Film in DVD. It also won three awards at the 15th Silver Screen Festival, Mexico. The film was nominated for the categories of Best Actor, Best Actress and Best First Feature at the 43rd Silver Goddess Awards Ceremony, as well as Best Actor and Best Original Script at the 56th Ariel Awards, Mexico.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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