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2014 | Color | 122:00

Emiliano, a filmmaker, explores processes and tries to connect to their immediate reality. The story that he films is mixed with daily life, with the real world seemingly always seen by the camera lens. Confused, alone, he is always in front of a screen that is his own transfigured reality, hearing that song repeated like a prayer that makes one keep trying to love.


Country: México
Direction: Hernández; Julián
Script: Pérez Mancilla; Ulises, Hernández; Julián, Loo; Sergio
Production: Martínez Arévalo; Ernesto, Reyes; Iliana, Fiesco; Roberto, Espinosa; Hugo
Photography: Cantú; Alejandro
Sound: Juárez Espino; Omar, Narváez del Valle; Armando
Music: Villela Vega; Arturo
Cast:Catalán; Hugo, Ramírez; Alan, Portal; Andrea, von Sternenfels; Emilio, Álvarez; Iván, Reyes; Rocío, Ávalos; Emmanuel, del Razo; Gerardo, Carrasco; Juan Carlos, Anselmo; Sergio, Blanc, Rodríguez; Gabino, Oliván; Javier, Zacarías; Giovanna, Lein; Diana
Art direction: Torres Torres; Jesús
Participation year at FICM: 2014

Director Movies

La huella de unos labios

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Román, a B-movie actor, is isolated in his apartment as a pandemic keeps the world on edge. Aldo, a young indigenous man, is an essential worker authorized to come and go. The two men live across from each other in an apartment complex. Meeting online, they are able to talk and even see each other in video calls, but not in person. Eventually, they find themselves tempted to break out of lockdown.

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Two Amongst Many

Dos entre muchos

A pandemic has separated Esteban and Alan. Esteban spends his days staring out at the nearby buildings from the rooftop where he lives, learning how to play the guitar, and staying connected to Alan through video calls—but there’s no end in sight to the isolation, and reality eventually catches up with them.

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The Day Began Yesterday

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