Color | A big dilapidated building in Moscow. The Temple of Love is a commune composed of those who choose to live on the fringes of society and those who are forced there. The many children tottering around belong to everybody and nobody. A relished meal might consists of half-eaten scraps and its charismatic, half-crazed leader urges the women that they should make love to the crippled and the poor. This seemingly idyllic environment undergoes a series of personal and collective crises. The police regularly raid the building to harass the members of the commune. Gangsters break into the place, threatening to kill one of the inhabitants, only to be repelled by ?a wall of love?. The leader, frustrated at his inability to express his vision, castrates himself. A baby is accidentally killed. All the while the traumas of free love are evident Country: México Direction: Aristaki; Artur Script: Shubin; Irina, Aristakisyan; Artur Production: Eliasber; Aleksandr Photography: Yablochniko; Grigori Music: Wyatt; Robert Cast:Verbitskaya; Inna, Grishayeva; Nonna, Atlasov; Roman, Chernova; Anna, Khayev; Vitali, Kuznetsova; Tatyana
Color | A big dilapidated building in Moscow. The Temple of Love is a commune composed of those who choose to live on the fringes of society and those who are forced there. The many children tottering around belong to everybody and nobody. A relished meal might consists of half-eaten scraps and its charismatic, half-crazed leader urges the women that they should make love to the crippled and the poor. This seemingly idyllic environment undergoes a series of personal and collective crises. The police regularly raid the building to harass the members of the commune. Gangsters break into the place, threatening to kill one of the inhabitants, only to be repelled by ?a wall of love?. The leader, frustrated at his inability to express his vision, castrates himself. A baby is accidentally killed. All the while the traumas of free love are evident Country: México Direction: Aristaki; Artur Script: Shubin; Irina, Aristakisyan; Artur Production: Eliasber; Aleksandr Photography: Yablochniko; Grigori Music: Wyatt; Robert Cast:Verbitskaya; Inna, Grishayeva; Nonna, Atlasov; Roman, Chernova; Anna, Khayev; Vitali, Kuznetsova; Tatyana
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
Ziuta travesías Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life. See More
Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More
Hernán Cortés: two atypical visions 04 · 10 · 25 MIL CAMINOS TIENE LA MUERTE: Arsenio Campos (1946-2025) 04 · 03 · 25 EL CAMINO DE LA VIDA: THE YOUNG AND THE DAMNED by Matilde Landeta 03 · 27 · 25 Juan Rulfo and the silver screen 03 · 20 · 25
