Color | A big dilapidated building in Moscow. The Temple of Love is a commune composed of those who choose to live on the fringes of society and those who are forced there. The many children tottering around belong to everybody and nobody. A relished meal might consists of half-eaten scraps and its charismatic, half-crazed leader urges the women that they should make love to the crippled and the poor. This seemingly idyllic environment undergoes a series of personal and collective crises. The police regularly raid the building to harass the members of the commune. Gangsters break into the place, threatening to kill one of the inhabitants, only to be repelled by ?a wall of love?. The leader, frustrated at his inability to express his vision, castrates himself. A baby is accidentally killed. All the while the traumas of free love are evident Country: México Direction: Aristaki; Artur Script: Shubin; Irina, Aristakisyan; Artur Production: Eliasber; Aleksandr Photography: Yablochniko; Grigori Music: Wyatt; Robert Cast:Verbitskaya; Inna, Grishayeva; Nonna, Atlasov; Roman, Chernova; Anna, Khayev; Vitali, Kuznetsova; Tatyana
Color | A big dilapidated building in Moscow. The Temple of Love is a commune composed of those who choose to live on the fringes of society and those who are forced there. The many children tottering around belong to everybody and nobody. A relished meal might consists of half-eaten scraps and its charismatic, half-crazed leader urges the women that they should make love to the crippled and the poor. This seemingly idyllic environment undergoes a series of personal and collective crises. The police regularly raid the building to harass the members of the commune. Gangsters break into the place, threatening to kill one of the inhabitants, only to be repelled by ?a wall of love?. The leader, frustrated at his inability to express his vision, castrates himself. A baby is accidentally killed. All the while the traumas of free love are evident Country: México Direction: Aristaki; Artur Script: Shubin; Irina, Aristakisyan; Artur Production: Eliasber; Aleksandr Photography: Yablochniko; Grigori Music: Wyatt; Robert Cast:Verbitskaya; Inna, Grishayeva; Nonna, Atlasov; Roman, Chernova; Anna, Khayev; Vitali, Kuznetsova; Tatyana
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
