Color | A big dilapidated building in Moscow. The Temple of Love is a commune composed of those who choose to live on the fringes of society and those who are forced there. The many children tottering around belong to everybody and nobody. A relished meal might consists of half-eaten scraps and its charismatic, half-crazed leader urges the women that they should make love to the crippled and the poor. This seemingly idyllic environment undergoes a series of personal and collective crises. The police regularly raid the building to harass the members of the commune. Gangsters break into the place, threatening to kill one of the inhabitants, only to be repelled by ?a wall of love?. The leader, frustrated at his inability to express his vision, castrates himself. A baby is accidentally killed. All the while the traumas of free love are evident Country: México Direction: Aristaki; Artur Script: Shubin; Irina, Aristakisyan; Artur Production: Eliasber; Aleksandr Photography: Yablochniko; Grigori Music: Wyatt; Robert Cast:Verbitskaya; Inna, Grishayeva; Nonna, Atlasov; Roman, Chernova; Anna, Khayev; Vitali, Kuznetsova; Tatyana
Color | A big dilapidated building in Moscow. The Temple of Love is a commune composed of those who choose to live on the fringes of society and those who are forced there. The many children tottering around belong to everybody and nobody. A relished meal might consists of half-eaten scraps and its charismatic, half-crazed leader urges the women that they should make love to the crippled and the poor. This seemingly idyllic environment undergoes a series of personal and collective crises. The police regularly raid the building to harass the members of the commune. Gangsters break into the place, threatening to kill one of the inhabitants, only to be repelled by ?a wall of love?. The leader, frustrated at his inability to express his vision, castrates himself. A baby is accidentally killed. All the while the traumas of free love are evident Country: México Direction: Aristaki; Artur Script: Shubin; Irina, Aristakisyan; Artur Production: Eliasber; Aleksandr Photography: Yablochniko; Grigori Music: Wyatt; Robert Cast:Verbitskaya; Inna, Grishayeva; Nonna, Atlasov; Roman, Chernova; Anna, Khayev; Vitali, Kuznetsova; Tatyana
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
César Flores' LA RUTA QUE SOMOS Screened at the 23rd FICM 10 · 12 · 25 Mix Mexico Festival: Film and Sexual Diversity Presented SANDBAG DAM by Cejen Cernic 10 · 12 · 25 Kim Torres's Bid to Speak About Feminicides in SI NO ARDEMOS, CÓMO ILUMINAR LA NOCHE 10 · 12 · 25 Ernesto Martínez Bucio's EL DIABLO FUMA (Y GUARDA LAS CABEZAS DE LOS CERILLOS QUEMADOS EN LA MISMA CAJA) Presented at the 23rd FICM 10 · 12 · 25
Ernesto Martínez Bucio's EL DIABLO FUMA (Y GUARDA LAS CABEZAS DE LOS CERILLOS QUEMADOS EN LA MISMA CAJA) Presented at the 23rd FICM 10 · 12 · 25
