Color | Within the framework of the celebration of the 200th anniver- sary of Mexican Independence and 100th anniversary of the Mexi- can Revolution, the Mexican Film Institute and the Nacional Chamber of the Telecommunications Industry and Information Technologies (CANIETI), under the direction of Luis Téllez, Karla Castañeda, Rigoberto Mora, René Castillo and Rita Basulto, produced 26, one-and-a-half minute animated film capsules. Each one describes daily life in 1810, as well as in 1910. The title of the project is Fate, Wit and Short Stories of the Independence Movement and the Revolution. The Morelia Internacional Film Festival will screen the following film capsules within the Fate, Wit and Short Stories of the Independence Movement and the Revolution program. Cast:La Linterna Mágica, Director: Luis Téllez, Guión: Luis Téllez, , El País Del Juego, Director: Rigoberto Mora, Guión: Eusebio Balderas, , Viruela O Bizcocho, Director: Karla Castañeda, Guión: Karla Cas
Color | Within the framework of the celebration of the 200th anniver- sary of Mexican Independence and 100th anniversary of the Mexi- can Revolution, the Mexican Film Institute and the Nacional Chamber of the Telecommunications Industry and Information Technologies (CANIETI), under the direction of Luis Téllez, Karla Castañeda, Rigoberto Mora, René Castillo and Rita Basulto, produced 26, one-and-a-half minute animated film capsules. Each one describes daily life in 1810, as well as in 1910. The title of the project is Fate, Wit and Short Stories of the Independence Movement and the Revolution. The Morelia Internacional Film Festival will screen the following film capsules within the Fate, Wit and Short Stories of the Independence Movement and the Revolution program. Cast:La Linterna Mágica, Director: Luis Téllez, Guión: Luis Téllez, , El País Del Juego, Director: Rigoberto Mora, Guión: Eusebio Balderas, , Viruela O Bizcocho, Director: Karla Castañeda, Guión: Karla Cas
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
Pasolini's Legacy 03 · 10 · 26 “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26
