1936 | B/N | 22:00 This documentary is considered the very first to be filmed during the Spanish Civil War. It was shot on the streets of Barcelona between June 9 and 24, 1936, and produced by the then-recently created Oficina de Información y Propaganda (Office of Information and Propaganda) of the Confederación Nacional de Trabajo (National Confederation of Labor). It was directed by journalist and film critic Mateo Santos, director of the magazine Film Popular; he also provided the commentary. Direction: Santos; Mateo Script: Santos; Mateo Production: Santos; Mateo Photography: Alonso; Ricardo Participation year at FICM: 2017
1936 | B/N | 22:00 This documentary is considered the very first to be filmed during the Spanish Civil War. It was shot on the streets of Barcelona between June 9 and 24, 1936, and produced by the then-recently created Oficina de Información y Propaganda (Office of Information and Propaganda) of the Confederación Nacional de Trabajo (National Confederation of Labor). It was directed by journalist and film critic Mateo Santos, director of the magazine Film Popular; he also provided the commentary. Direction: Santos; Mateo Script: Santos; Mateo Production: Santos; Mateo Photography: Alonso; Ricardo Participation year at FICM: 2017
Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More
5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More
The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More
The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26 FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
