1936 | B/N | 22:00 This documentary is considered the very first to be filmed during the Spanish Civil War. It was shot on the streets of Barcelona between June 9 and 24, 1936, and produced by the then-recently created Oficina de Información y Propaganda (Office of Information and Propaganda) of the Confederación Nacional de Trabajo (National Confederation of Labor). It was directed by journalist and film critic Mateo Santos, director of the magazine Film Popular; he also provided the commentary. Direction: Santos; Mateo Script: Santos; Mateo Production: Santos; Mateo Photography: Alonso; Ricardo Participation year at FICM: 2017
1936 | B/N | 22:00 This documentary is considered the very first to be filmed during the Spanish Civil War. It was shot on the streets of Barcelona between June 9 and 24, 1936, and produced by the then-recently created Oficina de Información y Propaganda (Office of Information and Propaganda) of the Confederación Nacional de Trabajo (National Confederation of Labor). It was directed by journalist and film critic Mateo Santos, director of the magazine Film Popular; he also provided the commentary. Direction: Santos; Mateo Script: Santos; Mateo Production: Santos; Mateo Photography: Alonso; Ricardo Participation year at FICM: 2017
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25 “The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25 Activities for Impulso Morelia 11 Begin at the 23th FICM 10 · 13 · 25 64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25
“The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25
64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
