2017 | Color | 19:42 A rock of unknown origin traveled through space, struck the Earth, and put an end to three-quarters of all life on the planet. At the site of the impact, a group of explorers venture into the darkness of a Mayan cave to study the acoustics. There, they perform a technical ritual to decipher the possible origins of musical percussion. Direction: Padilla Domene; Andrés Script: Padilla Domene; Andrés Production: Le Fresnoy Photography: Huerta Cano; Dalia Sound: González Sánchez; Homero Music: Feliciano Tun-Xiú Participation year at FICM: 2018
2017 | Color | 19:42 A rock of unknown origin traveled through space, struck the Earth, and put an end to three-quarters of all life on the planet. At the site of the impact, a group of explorers venture into the darkness of a Mayan cave to study the acoustics. There, they perform a technical ritual to decipher the possible origins of musical percussion. Direction: Padilla Domene; Andrés Script: Padilla Domene; Andrés Production: Le Fresnoy Photography: Huerta Cano; Dalia Sound: González Sánchez; Homero Music: Feliciano Tun-Xiú Participation year at FICM: 2018
Ciudad Maya In the city of Merida, Mexico, a group of young urban Maya, operate mysterious technological instruments to do some sort of archaeological survey of a ruined site. However, the monuments they are scanning are not ancient, but modern replicas. The film walks on the limits between science fiction and documentary to explore the imaginary around Maya culture and their identity today. See More
César Flores' LA RUTA QUE SOMOS Screened at the 23rd FICM 10 · 12 · 25 Mix Mexico Festival: Film and Sexual Diversity Presented SANDBAG DAM by Cejen Cernic 10 · 12 · 25 Kim Torres's Bid to Speak About Feminicides in SI NO ARDEMOS, CÓMO ILUMINAR LA NOCHE 10 · 12 · 25 Ernesto Martínez Bucio's EL DIABLO FUMA (Y GUARDA LAS CABEZAS DE LOS CERILLOS QUEMADOS EN LA MISMA CAJA) Presented at the 23rd FICM 10 · 12 · 25
Ernesto Martínez Bucio's EL DIABLO FUMA (Y GUARDA LAS CABEZAS DE LOS CERILLOS QUEMADOS EN LA MISMA CAJA) Presented at the 23rd FICM 10 · 12 · 25
