Skip to main content
2017 | Color | 20:52

Foto Saeki is an analog photo store on Cedro St. in the Santa María la Ribera neighborhood in Mexico City. Its owner, Yukio Saeki, came to Mexico in 1955. Now 83 years old, he can still hear the echo of a Monday morning when he was 13, as he walked toward the ocean in Japan, near Hiroshima, and the atomic bomb fell from the sky.


Direction: García; Sumie
Script: Velázquez; Oscar, García; Sumie
Production: Quintero; Alejandro, Garcia; Sumie, Díaz Álvarez; Lucía, de la Paz Nicolau; Santiago
Photography: García; Sumie
Sound: de la Paz Nicolau; Santiago
Music: Collado; Josué
Cast:Saeki; Yukio
Participation year at FICM: 2017

Other Movies

Naza

Naza
Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More

5 de chocolate y 1 de fresa

5 de chocolate y 1 de fresa
Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More

The Buzz

Zumbido
During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More

Related News

Coahuayana, Michoacán
Visit the Beaches of Michoacán
Ganadores 24 FICM
The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12
LOS LOBOS: NATIVE SONS, de Piero F. Giunti y Doug Blush, se proyectó en la 24ª edición del FICM
LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM
La muerte es temporal Cerveza Victoria
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM