2022 | Color | 95:00 In a forgotten part of the Mexican mountains lives Tacho, a farmer who tends his sorry plot of land as life slips through his fingers. When he receives word of his daughter’s death, he travels to the city, a harsh world completely alien to him, so he can bring her body back home. Country: México Direction: Eichelmann Kaiser; Carlos Script: Eichelmann Kaiser; Carlos, González García; José Francisco, González del Valle; Adriana Production: Maldonado Miquelerena; Gabriela, de Icaza; Alejandro, Eichelmann Kaiser; Carlos Photography: Saldívar Tanaka; Serguei Sound: Polidoro; Stefano Music: Uboldi; Camilla Cast:Ascacio; Eustacio, Solian; Natalia, Herrera; Rosa Irene, Valencia; Miguel Ángel, Morán; Francisco, Ponce; David, Montante; Basilio Art direction: González; Nohemí Participation year at FICM: 2022
2022 | Color | 95:00 In a forgotten part of the Mexican mountains lives Tacho, a farmer who tends his sorry plot of land as life slips through his fingers. When he receives word of his daughter’s death, he travels to the city, a harsh world completely alien to him, so he can bring her body back home. Country: México Direction: Eichelmann Kaiser; Carlos Script: Eichelmann Kaiser; Carlos, González García; José Francisco, González del Valle; Adriana Production: Maldonado Miquelerena; Gabriela, de Icaza; Alejandro, Eichelmann Kaiser; Carlos Photography: Saldívar Tanaka; Serguei Sound: Polidoro; Stefano Music: Uboldi; Camilla Cast:Ascacio; Eustacio, Solian; Natalia, Herrera; Rosa Irene, Valencia; Miguel Ángel, Morán; Francisco, Ponce; David, Montante; Basilio Art direction: González; Nohemí Participation year at FICM: 2022
130 Millions Shoes In a forgotten part of the Mexican mountains lives Tacho, a farmer who tends his sorry plot of land as life slips through his fingers. When he receives word of his daughter’s death, he travels to the city, a harsh world completely alien to him, so he can bring her body back home. See More
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Francis Ford Coppola to Present MEGALOPOLIS and Receive Artistic Excellence Award at the 22nd FICM 10 · 10 · 24
