2010 | B/N | 67 min The film presents a shot-by-shot reconstruction of Dziga Vertov's iconic film, Man with a Movie Camera, replacing the original sequences with footage from Michael Nyman's own film archives shot over the last two decades. Deeply rooted in Vertov's original ideas about "the perception of truth," the documentation of "life as it is" and that of "life caught unawares," Nyman's film attempts to capture the essence of "what is there" and reflects on what he calls the "persistence of glance," a multi-sensorial experience of time as it occurs and life as it happens and is recorded by the human memory. Country: Reino Unido Direction: Nyman; Michael Production: Nyman; Michael Photography: Nyman; Michael Music: Nyman; Michael Participation year at FICM: 2011
2010 | B/N | 67 min The film presents a shot-by-shot reconstruction of Dziga Vertov's iconic film, Man with a Movie Camera, replacing the original sequences with footage from Michael Nyman's own film archives shot over the last two decades. Deeply rooted in Vertov's original ideas about "the perception of truth," the documentation of "life as it is" and that of "life caught unawares," Nyman's film attempts to capture the essence of "what is there" and reflects on what he calls the "persistence of glance," a multi-sensorial experience of time as it occurs and life as it happens and is recorded by the human memory. Country: Reino Unido Direction: Nyman; Michael Production: Nyman; Michael Photography: Nyman; Michael Music: Nyman; Michael Participation year at FICM: 2011
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
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