2018 | Color | 90:00 Piro is a mathematician whose obsessions are laid out in three notebooks: one to meticulously track his expenses; another to record the locations of the things he collects, in case he ever needs them; and one more to chronicle his life’s most important events. Drawing from these notes against oblivion, we will embark on a journey through the lives of three generations in a Cuban family. Country: México Direction: Viveros; Hatuey Production: Viveros; Hatuey Photography: Viveros; Hatuey Sound: Muñoz; Isabel Music: Sonora Yumurí, Danzonera Acierto Juvenil, Los Matanceros, Los Guajiros Participation year at FICM: 2018
2018 | Color | 90:00 Piro is a mathematician whose obsessions are laid out in three notebooks: one to meticulously track his expenses; another to record the locations of the things he collects, in case he ever needs them; and one more to chronicle his life’s most important events. Drawing from these notes against oblivion, we will embark on a journey through the lives of three generations in a Cuban family. Country: México Direction: Viveros; Hatuey Production: Viveros; Hatuey Photography: Viveros; Hatuey Sound: Muñoz; Isabel Music: Sonora Yumurí, Danzonera Acierto Juvenil, Los Matanceros, Los Guajiros Participation year at FICM: 2018
Coffee: Songs of Smoke In the Nahuatl Sierra of Mexico, a family has lost a father. The absence deeply touches the lives of his children: Jorge will soon get his law degree and will have to choose his path. Chayo, at sixteen, is forced to make an important decision. After such a crucial year for the family, each family member has to redefine goals, while the family continues to venerate the father's memory. See More
Mi universo en minúsculas A foreign woman named Aina arrives in Mexico City in search of her father, her only reference is a childhood photo with a note on the back: ?our house on 37 Juarez Street?. This address takes her on a monumental quest through every street bearing that name; she has the chance to explore the tiny universe behind each number 37 and create an experience of inhabiting Mexico City. See More
Pasolini's Legacy 03 · 10 · 26 “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26
