2017 | Color | 58:03 For Hazanavicius, cinema is all around: in his home; in his life, which he has shared with actress Bérénice Bejo for the past ten years; and in his films. The director of The Artist has never ceased to question the codes of cinema, and he has built a particularly original body of work along the way. With Le Redoutable, he reshaped Godard’s legend in his own style, while also making a highly personal film. A journey into the heart of a film lover. Direction: Marki; Nicolas, d’Yvoire; Christophe, Lavoignat; Jean-Pierre Script: d’Yvoire; Christophe, Lavoignat; Jean-Pierre Production: Lavoignat; Jean-Pierre, d’Yvoire; Christophe, Gonthiez; Sylvie Photography: Bron; Cyril, Marki; Nicolas Participation year at FICM: 2017
2017 | Color | 58:03 For Hazanavicius, cinema is all around: in his home; in his life, which he has shared with actress Bérénice Bejo for the past ten years; and in his films. The director of The Artist has never ceased to question the codes of cinema, and he has built a particularly original body of work along the way. With Le Redoutable, he reshaped Godard’s legend in his own style, while also making a highly personal film. A journey into the heart of a film lover. Direction: Marki; Nicolas, d’Yvoire; Christophe, Lavoignat; Jean-Pierre Script: d’Yvoire; Christophe, Lavoignat; Jean-Pierre Production: Lavoignat; Jean-Pierre, d’Yvoire; Christophe, Gonthiez; Sylvie Photography: Bron; Cyril, Marki; Nicolas Participation year at FICM: 2017
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
