2017 | Color | 58:03 For Hazanavicius, cinema is all around: in his home; in his life, which he has shared with actress Bérénice Bejo for the past ten years; and in his films. The director of The Artist has never ceased to question the codes of cinema, and he has built a particularly original body of work along the way. With Le Redoutable, he reshaped Godard’s legend in his own style, while also making a highly personal film. A journey into the heart of a film lover. Direction: Marki; Nicolas, d’Yvoire; Christophe, Lavoignat; Jean-Pierre Script: d’Yvoire; Christophe, Lavoignat; Jean-Pierre Production: Lavoignat; Jean-Pierre, d’Yvoire; Christophe, Gonthiez; Sylvie Photography: Bron; Cyril, Marki; Nicolas Participation year at FICM: 2017
2017 | Color | 58:03 For Hazanavicius, cinema is all around: in his home; in his life, which he has shared with actress Bérénice Bejo for the past ten years; and in his films. The director of The Artist has never ceased to question the codes of cinema, and he has built a particularly original body of work along the way. With Le Redoutable, he reshaped Godard’s legend in his own style, while also making a highly personal film. A journey into the heart of a film lover. Direction: Marki; Nicolas, d’Yvoire; Christophe, Lavoignat; Jean-Pierre Script: d’Yvoire; Christophe, Lavoignat; Jean-Pierre Production: Lavoignat; Jean-Pierre, d’Yvoire; Christophe, Gonthiez; Sylvie Photography: Bron; Cyril, Marki; Nicolas Participation year at FICM: 2017
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
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