2013 | Color | 82 min In 1964, a colossal pre-Hispanic monolith was taken from the village of San Miguel Coatlichán to the National Museum of Anthropology and History in Mexico City. This event led to an exploration of the conflicts surrounding heritage and history through the artifacts of the past, and gave rise to an international debate on cultural property and the legitimate custodians of the past. Country: México Direction: Rozental; Sandra, Lerner; Jesse Script: Rozental; Sandra Production: Rozental; Sandra, Lerner; Jesse Photography: Lerner; Jesse Sound: Kowalski; Michael, Harris; Sara Music: Chavarría; Familia Participation year at FICM: 2013
2013 | Color | 82 min In 1964, a colossal pre-Hispanic monolith was taken from the village of San Miguel Coatlichán to the National Museum of Anthropology and History in Mexico City. This event led to an exploration of the conflicts surrounding heritage and history through the artifacts of the past, and gave rise to an international debate on cultural property and the legitimate custodians of the past. Country: México Direction: Rozental; Sandra, Lerner; Jesse Script: Rozental; Sandra Production: Rozental; Sandra, Lerner; Jesse Photography: Lerner; Jesse Sound: Kowalski; Michael, Harris; Sara Music: Chavarría; Familia Participation year at FICM: 2013
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
Ziuta travesías Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life. See More
Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More
Hernán Cortés: two atypical visions 04 · 10 · 25 MIL CAMINOS TIENE LA MUERTE: Arsenio Campos (1946-2025) 04 · 03 · 25 EL CAMINO DE LA VIDA: THE YOUNG AND THE DAMNED by Matilde Landeta 03 · 27 · 25 Juan Rulfo and the silver screen 03 · 20 · 25
