1935 | B/N | 90:00 The Dressel family owns a successful hardware store in the city. The business is run by Frau Dressel, a severe widow, who has two sons, Federico and Rodolfo. Federico falls in love with singer Magdalena and marries her against his mother’s will—she wanted her son to marry a German girl. The young couple must deal with Frau Dressel’s constant harassment and with an accusation of adultery. Direction: de Fuentes; Fernando Script: de Fuentes; Fernando Production: de Fuentes; Fernando Photography: Phillips; Alex, Fisher; Ross Sound: B. Carles; José Music: S. Garrido; Juan Cast:Soler; Julián, Vélez; Jorge, Wagner; Fernando, Arriaga; Rosita, Armengod; Ramón, Frank; Consuelo, López; Carlos, Tamés; Manuel Art direction: Gómez Palacio; Francisco Participation year at FICM: 2016
1935 | B/N | 90:00 The Dressel family owns a successful hardware store in the city. The business is run by Frau Dressel, a severe widow, who has two sons, Federico and Rodolfo. Federico falls in love with singer Magdalena and marries her against his mother’s will—she wanted her son to marry a German girl. The young couple must deal with Frau Dressel’s constant harassment and with an accusation of adultery. Direction: de Fuentes; Fernando Script: de Fuentes; Fernando Production: de Fuentes; Fernando Photography: Phillips; Alex, Fisher; Ross Sound: B. Carles; José Music: S. Garrido; Juan Cast:Soler; Julián, Vélez; Jorge, Wagner; Fernando, Arriaga; Rosita, Armengod; Ramón, Frank; Consuelo, López; Carlos, Tamés; Manuel Art direction: Gómez Palacio; Francisco Participation year at FICM: 2016
Doña Bárbara In Venezuela, lawyer Santos Luzardo arrives in the plains to gain control of his lands, but is locked in a terrible conflict with landowner Doña Bárbara, a brave woman turned by fate into a man-eater with a pact with the devil, and who owns the haciendas—and people’s lives. See More
Let’s Go with Pancho Villa During the Mexican Revolution, a group of brave peasants known as the Leones de San Pablo join Pancho Villa’s army. After a few battles, with more defeats than victories behind them, the original group has shrunk in number, and a series of troubles leads them to rethink their position. See More
El prisionero 13 Marta leaves her drunkard husband, Colonel Carrasco, taking their young son with her. The child, Juan, grows into an admirable young man. Years later, Carrasco accepts a bribe to free a revolutionary from his prison and asks to have him replaced by absolutely anyone. That anyone turns out to be his own long-lost son. When Carrasco finds out, he desperately attempts to prevent Juan’s execution at the hands of his very own officers. See More
MARCOS. OTRO MUNDO ES POSIBLE Arrives at the 24th FICM As a Story Against Giving Up 10 · 19 · 26 Andrés Clariond Rangel Presented VERSALLES at the 24th FICM 10 · 18 · 26 Juan Carlos Rulfo's IN THE PIT Celebrated 20 Years at the 24th FICM 10 · 18 · 26 Restored Version of ILLUSION TRAVELS BY STREETCAR Cements FICM as a Hub for the History of Mexican Cinema 10 · 18 · 26
Restored Version of ILLUSION TRAVELS BY STREETCAR Cements FICM as a Hub for the History of Mexican Cinema 10 · 18 · 26
