Skip to main content
El prisionero 13
1933 | B/N | 76:00

Marta leaves her drunkard husband, Colonel Carrasco, taking their young son with her. The child, Juan, grows into an admirable young man. Years later, Carrasco accepts a bribe to free a revolutionary from his prison and asks to have him replaced by absolutely anyone. That anyone turns out to be his own long-lost son. When Carrasco finds out, he desperately attempts to prevent Juan’s execution at the hands of his very own officers.


Country: México
Direction: de Fuentes; Fernando
Script: de Fuentes; Fernando, Ruiz; Miguel
Production: Sáenz de Sicilia; Gustavo, Sánchez Tello; Luis
Photography: Fisher; Ross
Sound: Carles; José B.
Music: Posadas; Guillermo A.
Cast:Del Diestro; Alfredo, Barreiro; Luis G., Sequeyro; Adela, Campoamor; Arturo, Jaloma; Adela, Roldán; Emma, Bolaños; Alicia
Art direction: Rivero; Fernando A.
Participation year at FICM: 2023

Director Movies

Let’s Go with Pancho Villa 

Vámonos con Pancho Villa

During the Mexican Revolution, a group of brave peasants known as the Leones de San Pablo join Pancho Villa’s army. After a few battles, with more defeats than victories behind them, the original group has shrunk in number, and a series of troubles leads them to rethink their position.

See More

The Phantom of the Monastery

El fantasma del convento

Married couple Cristina and Eduardo, along with their friend Alfonso, get lost in the woods at dusk. When they encounter a mysterious monk, who offers them shelter at the old monastery of the Order of Silence, Eduardo is scared and refuses to go inside the building, but Cristina and Alfonso—who are having an affair—convince him to spend the night there. A series of abnormal events will make the lovers regret their decision.

 

See More

El compadre Mendoza

El compadre Mendoza

During the Mexican Revolution, Rosalío Mendoza survives by doing and winning favors from both the government forces and Zapata’s rebel army. Depending on the political allegiance of guests at his hacienda, he displays the portraits of either Huerta or Zapata. Eventually, the situation becomes unsustainable and he is forced to take sides. Betrayal and deceit ensue—and Mendoza’s dark side surfaces.

See More

Related News

FICM en la Semana de la Crítica 2024
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes
Lorena Velázquez
Lorena Velázquez: reina del fantástico y más…
Marlon Brando
Marlon Brando and his connection with Mexico one hundred years after his death
Quentin Tarantino
Tarantino in Morelia 2009