1943 | B/N | 138:00 In Venezuela, lawyer Santos Luzardo arrives in the plains to gain control of his lands, but is locked in a terrible conflict with landowner Doña Bárbara, a brave woman turned by fate into a man-eater with a pact with the devil, and who owns the haciendas—and people’s lives. Country: México Direction: de Fuentes; Fernando Script: de Fuentes; Fernando Production: Grovas; Jesús, de Fuentes; Fernando Photography: Phillips; Alex Sound: González Gancy; Jesús, Randall; Howard Music: Domínguez; Francisco, Esaa; Prudencio Cast:Félix; María, Isunza; Agustín, Marqués; María Elena, Soler; Julián, Soler; Andrés, Inclán; Miguel Art direction: Bracho; Jesús Participation year at FICM: 2025
1943 | B/N | 138:00 In Venezuela, lawyer Santos Luzardo arrives in the plains to gain control of his lands, but is locked in a terrible conflict with landowner Doña Bárbara, a brave woman turned by fate into a man-eater with a pact with the devil, and who owns the haciendas—and people’s lives. Country: México Direction: de Fuentes; Fernando Script: de Fuentes; Fernando Production: Grovas; Jesús, de Fuentes; Fernando Photography: Phillips; Alex Sound: González Gancy; Jesús, Randall; Howard Music: Domínguez; Francisco, Esaa; Prudencio Cast:Félix; María, Isunza; Agustín, Marqués; María Elena, Soler; Julián, Soler; Andrés, Inclán; Miguel Art direction: Bracho; Jesús Participation year at FICM: 2025
Let’s Go with Pancho Villa During the Mexican Revolution, a group of brave peasants known as the Leones de San Pablo join Pancho Villa’s army. After a few battles, with more defeats than victories behind them, the original group has shrunk in number, and a series of troubles leads them to rethink their position. See More
El prisionero 13 Marta leaves her drunkard husband, Colonel Carrasco, taking their young son with her. The child, Juan, grows into an admirable young man. Years later, Carrasco accepts a bribe to free a revolutionary from his prison and asks to have him replaced by absolutely anyone. That anyone turns out to be his own long-lost son. When Carrasco finds out, he desperately attempts to prevent Juan’s execution at the hands of his very own officers. See More
The Phantom of the Monastery Married couple Cristina and Eduardo, along with their friend Alfonso, get lost in the woods at dusk. When they encounter a mysterious monk, who offers them shelter at the old monastery of the Order of Silence, Eduardo is scared and refuses to go inside the building, but Cristina and Alfonso—who are having an affair—convince him to spend the night there. A series of abnormal events will make the lovers regret their decision. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26