2012 | Color | 7 min Ismael and his little sister wake up to watch a children´s show on television, like they do every Sunday. It is their only escape from the neglect and abuse that surround them. Country: México Direction: Hofmann; Sebastián Script: Hofmann; Sebastián Production: Trujillo; Alberto Photography: Villaseñor; Eva Sound: Pérez; Rafael Music: Pérez; Rafael Cast:Galindo; Rodolfo, García; Teresa, Medina; Montserrat, López; Arturo Art direction: La Suerte Divina Participation year at FICM: 2012
2012 | Color | 7 min Ismael and his little sister wake up to watch a children´s show on television, like they do every Sunday. It is their only escape from the neglect and abuse that surround them. Country: México Direction: Hofmann; Sebastián Script: Hofmann; Sebastián Production: Trujillo; Alberto Photography: Villaseñor; Eva Sound: Pérez; Rafael Music: Pérez; Rafael Cast:Galindo; Rodolfo, García; Teresa, Medina; Montserrat, López; Arturo Art direction: La Suerte Divina Participation year at FICM: 2012
Halley Alberto suffers from a terrible affliction; his body decomposes inexplicably. Struggling with feelings of loneliness and shame, he decides to withdraw from the world. But before surrendering to his condition, Alberto forms an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard. See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
