2022 | B/N | 95:00 Fuensanta “La Moneta” is a contemporary flamenco dancer and choreographer. In her dance studio she prepares a new show with her students, however, everything changes when one of her students, Israeli and Jewish, gives her the book “La Cabellera de la Shoá” that Félix Grande wrote during his visit to the concentration camps. of Auschwitz and that marked his work to the point of being his last book. Fuensanta devours every poem by Félix Grande and can't stop thinking about those tons of accumulated hair, about the captive gypsies and the Jewish women marching towards certain death. It is then that he turns his show around and the goal is to visit Auschwitz to imbue himself with silence and look at it head-on. After convincing his manager, Raúl, he starts a retrospective in his show to mix dance, literature, music and the silent interpretation of millions of silent lives. Choosing three students in the cast will not be a comfortable task and each one will discover that "La Cabellera de Shoá" is a greater link in their daily lives than they imagined. This is how the whole story lands and becomes social. Country: España Direction: Ruiz Barrachina; Emilio Script: Ruiz Barrachina; Emilio Production: Arrosse; Rebecca, Dutilh; Jose Maria, Espada; Javier Sound: Losada; Oscar Music: Fuensanta 'La Moneta' Fresneda Galera Cast:García; Miguelo, Amir; Yarden, Lopez Aguilar; Lucia, Fernandez; Samara, Aparicio; Ramon Art direction: Luque; Francisco Participation year at FICM: 2022
2022 | B/N | 95:00 Fuensanta “La Moneta” is a contemporary flamenco dancer and choreographer. In her dance studio she prepares a new show with her students, however, everything changes when one of her students, Israeli and Jewish, gives her the book “La Cabellera de la Shoá” that Félix Grande wrote during his visit to the concentration camps. of Auschwitz and that marked his work to the point of being his last book. Fuensanta devours every poem by Félix Grande and can't stop thinking about those tons of accumulated hair, about the captive gypsies and the Jewish women marching towards certain death. It is then that he turns his show around and the goal is to visit Auschwitz to imbue himself with silence and look at it head-on. After convincing his manager, Raúl, he starts a retrospective in his show to mix dance, literature, music and the silent interpretation of millions of silent lives. Choosing three students in the cast will not be a comfortable task and each one will discover that "La Cabellera de Shoá" is a greater link in their daily lives than they imagined. This is how the whole story lands and becomes social. Country: España Direction: Ruiz Barrachina; Emilio Script: Ruiz Barrachina; Emilio Production: Arrosse; Rebecca, Dutilh; Jose Maria, Espada; Javier Sound: Losada; Oscar Music: Fuensanta 'La Moneta' Fresneda Galera Cast:García; Miguelo, Amir; Yarden, Lopez Aguilar; Lucia, Fernandez; Samara, Aparicio; Ramon Art direction: Luque; Francisco Participation year at FICM: 2022
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
Ziuta travesías Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life. See More
Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More
Hernán Cortés: two atypical visions 04 · 10 · 25 MIL CAMINOS TIENE LA MUERTE: Arsenio Campos (1946-2025) 04 · 03 · 25 EL CAMINO DE LA VIDA: THE YOUNG AND THE DAMNED by Matilde Landeta 03 · 27 · 25 Juan Rulfo and the silver screen 03 · 20 · 25
