2024 | Color | 23:00 Gilberto leaves his home on the last day of his father's life, wandering the city in search of places that were significant to him: his old house, the museum where he worked, and the lively city streets. This escape becomes a reconstruction of his father, a journey through memory, and a farewell. Country: México Direction: Reyes Campos; Guillermo Script: Reyes Campos; Guillerm Production: Carrasco; Alicia Photography: Romero; Mateo Sound: Malagón; David Music: Diles que no me maten Cast:Delgado; Andrés, Campos; Alejandra, Palmerin; Mario, Ledesma; Marjorie, Horcasitas; Carlos R., Estrada; Jesús, Caballero; Gael, Urbina; Noel Art direction: Tapia; Citlali, Buenrostro; Daniela Participation year at FICM: 2024
2024 | Color | 23:00 Gilberto leaves his home on the last day of his father's life, wandering the city in search of places that were significant to him: his old house, the museum where he worked, and the lively city streets. This escape becomes a reconstruction of his father, a journey through memory, and a farewell. Country: México Direction: Reyes Campos; Guillermo Script: Reyes Campos; Guillerm Production: Carrasco; Alicia Photography: Romero; Mateo Sound: Malagón; David Music: Diles que no me maten Cast:Delgado; Andrés, Campos; Alejandra, Palmerin; Mario, Ledesma; Marjorie, Horcasitas; Carlos R., Estrada; Jesús, Caballero; Gael, Urbina; Noel Art direction: Tapia; Citlali, Buenrostro; Daniela Participation year at FICM: 2024
Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More
5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More
The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More
Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
