2012 | Color | 83 min On February 5, 1970, Carlos Castañeda de la Fuente tried to assassinate the Mexican President to avenge the Tlatelolco massacre of October 2, 1968, defying the most repressive regime in contemporary Mexican history. Forty years later, this failed avenger survived the system´s disproportionate retaliation only to wander Mexico City's streets as a vagrant. Country: México Direction: Solar Luna; Alejandro Script: Solar Luna; Alejandro Production: Casas; Armando Photography: Miranda H.; Ignacio Sound: M. Lloret; Pablo, Galaz; Galileo, Molina; Miguel Ángel Music: Leñero Elu; Luis Participation year at FICM: 2012
2012 | Color | 83 min On February 5, 1970, Carlos Castañeda de la Fuente tried to assassinate the Mexican President to avenge the Tlatelolco massacre of October 2, 1968, defying the most repressive regime in contemporary Mexican history. Forty years later, this failed avenger survived the system´s disproportionate retaliation only to wander Mexico City's streets as a vagrant. Country: México Direction: Solar Luna; Alejandro Script: Solar Luna; Alejandro Production: Casas; Armando Photography: Miranda H.; Ignacio Sound: M. Lloret; Pablo, Galaz; Galileo, Molina; Miguel Ángel Music: Leñero Elu; Luis Participation year at FICM: 2012
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
A List of Mexicans Who Have Won an Oscar... Updated! 03 · 02 · 25 Bruno Dumont and HADEWIJCH: FICM 2009 02 · 20 · 25 Yolanda Montes “Tongolele”, diosa de la danza 02 · 18 · 25 PEPE EL TORO appears in Cahiers 02 · 13 · 25
