1934 | B/N | 83:00 Married couple Cristina and Eduardo, along with their friend Alfonso, get lost in the woods at dusk. When they encounter a mysterious monk who offers them shelter at the old monastery of the Order of Silence, Eduardo is scared and refuses to go inside the building, but Cristina and Alfonso – who are having an affair – convince him to spend the night there. A series of abnormal events will make the lovers regret their decision. Country: México Direction: de Fuentes; Fernando Script: Pezet; Jorge, de Fuentes; Fernando, Bustillo Oro; Juan Production: Pezet; Jorge Photography: Fisher; Ross Sound: Hermanos Rodríguez Music: Urban; Max Cast:del Campo; Enrique, Roel; Marta, Rocha; José Ignacio, Lugo; Francisco, Blanco; Victorio, Martínez; Paco, Villatoro; Carlos, González; Agustín, de Heredia; Beltrán Art direction: A. Rivero; Fernando Participation year at FICM: 2015
1934 | B/N | 83:00 Married couple Cristina and Eduardo, along with their friend Alfonso, get lost in the woods at dusk. When they encounter a mysterious monk who offers them shelter at the old monastery of the Order of Silence, Eduardo is scared and refuses to go inside the building, but Cristina and Alfonso – who are having an affair – convince him to spend the night there. A series of abnormal events will make the lovers regret their decision. Country: México Direction: de Fuentes; Fernando Script: Pezet; Jorge, de Fuentes; Fernando, Bustillo Oro; Juan Production: Pezet; Jorge Photography: Fisher; Ross Sound: Hermanos Rodríguez Music: Urban; Max Cast:del Campo; Enrique, Roel; Marta, Rocha; José Ignacio, Lugo; Francisco, Blanco; Victorio, Martínez; Paco, Villatoro; Carlos, González; Agustín, de Heredia; Beltrán Art direction: A. Rivero; Fernando Participation year at FICM: 2015
Doña Bárbara In Venezuela, lawyer Santos Luzardo arrives in the plains to gain control of his lands, but is locked in a terrible conflict with landowner Doña Bárbara, a brave woman turned by fate into a man-eater with a pact with the devil, and who owns the haciendas—and people’s lives. See More
Let’s Go with Pancho Villa During the Mexican Revolution, a group of brave peasants known as the Leones de San Pablo join Pancho Villa’s army. After a few battles, with more defeats than victories behind them, the original group has shrunk in number, and a series of troubles leads them to rethink their position. See More
El prisionero 13 Marta leaves her drunkard husband, Colonel Carrasco, taking their young son with her. The child, Juan, grows into an admirable young man. Years later, Carrasco accepts a bribe to free a revolutionary from his prison and asks to have him replaced by absolutely anyone. That anyone turns out to be his own long-lost son. When Carrasco finds out, he desperately attempts to prevent Juan’s execution at the hands of his very own officers. See More
The 23rd Edition of the Morelia International Film Festival Opened with Kleber Mendonça Filho's THE SECRET AGENT 10 · 10 · 25 "I Don't Like the Idea of Pure Cinema": Kleber Mendonça Filho Talks About THE SECRET AGENT at the 23rd FICM 10 · 10 · 25 The Third Film Development Lab for Filmmakers of Indigenous and African Descent in Mexico has Begun 10 · 09 · 25 The 2025 Indigenous Peoples Forum Announces its Activities for the 23rd FICM 10 · 08 · 25
The 23rd Edition of the Morelia International Film Festival Opened with Kleber Mendonça Filho's THE SECRET AGENT 10 · 10 · 25
"I Don't Like the Idea of Pure Cinema": Kleber Mendonça Filho Talks About THE SECRET AGENT at the 23rd FICM 10 · 10 · 25
The Third Film Development Lab for Filmmakers of Indigenous and African Descent in Mexico has Begun 10 · 09 · 25
