2016 | B/N | 22:11 Sthefany Galante is a Mexican trans woman who migrated to the United States after experiencing gender discrimination in her hometown Mixquiahuala, Hidalgo. After being away from home for six years, Sthefany decides to prepare for an imminent trip to Mexico and confront her family about her gender identity. Direction: Chávez Ontiveros; Daniel Enrique Script: Chávez Ontiveros; Daniel Enrique Production: Chávez Ontiveros; Daniel Enrique, Eréndira Olivera Benítez Photography: Chávez Ontiveros; Enrique; Daniel Sound: López; Veronica, Olivera Benítez; Eréndira, Davenport; Reid Music: Xie; Victor, Báez Galván; Damián, Lara; Agustín Cast:Galante Bautista; Sthefany, Bautista; Juana, Bautista; Claudia, Bautista; Amelia, Bautista; Patricia, Bautista; Marisol, Cortés; Reyna, Bautista; Miguel, Michel; Michelle, Martínez; Erika, Sotelo; Rubí, Hernández; Marleen, Dupree; Tania, Chávez; Geovanny Participation year at FICM: 2016
2016 | B/N | 22:11 Sthefany Galante is a Mexican trans woman who migrated to the United States after experiencing gender discrimination in her hometown Mixquiahuala, Hidalgo. After being away from home for six years, Sthefany decides to prepare for an imminent trip to Mexico and confront her family about her gender identity. Direction: Chávez Ontiveros; Daniel Enrique Script: Chávez Ontiveros; Daniel Enrique Production: Chávez Ontiveros; Daniel Enrique, Eréndira Olivera Benítez Photography: Chávez Ontiveros; Enrique; Daniel Sound: López; Veronica, Olivera Benítez; Eréndira, Davenport; Reid Music: Xie; Victor, Báez Galván; Damián, Lara; Agustín Cast:Galante Bautista; Sthefany, Bautista; Juana, Bautista; Claudia, Bautista; Amelia, Bautista; Patricia, Bautista; Marisol, Cortés; Reyna, Bautista; Miguel, Michel; Michelle, Martínez; Erika, Sotelo; Rubí, Hernández; Marleen, Dupree; Tania, Chávez; Geovanny Participation year at FICM: 2016
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
As an Artist, I Think It's Enough: Charlie Kaufman Presents HOW TO SHOOT A GHOST at the 23th FICM 10 · 13 · 25 Salvador Espinosa's (NO SÉ) CÓMO SER Presented at the 23rd FICM 10 · 13 · 25 Between Fiction and Documentary: Maxime Jean-Baptiste's LISTEN TO THE VOICES at the 23rd FICM 10 · 13 · 25 64th Critics' Week: Ava Cahen Presented Alexe Poukine's KIKA at the 23rd FICM 10 · 13 · 25
As an Artist, I Think It's Enough: Charlie Kaufman Presents HOW TO SHOOT A GHOST at the 23th FICM 10 · 13 · 25
Between Fiction and Documentary: Maxime Jean-Baptiste's LISTEN TO THE VOICES at the 23rd FICM 10 · 13 · 25
